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I know, I listen to it all the time! Since our recording studio fire, I haven't engineered any real sessions in over 2 months, so I dug up some old music, and am listening all in the car again!

Latest find: Booker T. Jones, Road From Memphis (2011).

Burl Audio President Rich Williams gets down and dirty with Vance Powell.

http://www.burlaudio.com/featured-artist/vance-powell

Yes. I have been on a personal rant against auto-tune for the last few years. We were going to put a sign in the control room "NO AUTOTUNE" before we had a fire in the other half of the building.

I love it! Nice vid.

Great!

Now I have to go buy this on vinyl tomorrow (after I go buy Raphael Saadiq's newest album)

One of my favorite amps in the studio right now is a Peavey Backstage plus. It isn't right for everything, but for that tight, funky, janky sound, it's AWESOME! I call it my secret weapon.

wayne kerr wrote: Dude you really need to get out more.

+1

By the way, KoffeeKommando please check the website.

In the future, please contact me personally. I can assure you that no one received your email.

Thanks for your concern.

will@burlaudio.com
831-425-7501

I love to turn the pages. Don't ever stop printing guys. Keep up the good work!

MoreSpaceEcho wrote:i like mono overhead+room+just enough of the close mics for punch and definition.

Where do you place a mono overhead? Was just wondering this yesterday... I was placing one overhead over the drummers head about 6-9 inches, pointed at the snare...

I don't know about other models, but our A-800 MKIII has 2 outputs. In this case, I have thought about recording onto tape, monitoring through output 1 and tracking into PT output 2 via the Mothership

Is this a viable option?

i run mine flat 100% of the time and use my pre's to get what I want out of it... so far, that has made me more than happy with it.

Apology made. I'm glad my assumptions were incorrect. I don't know if people are generally geared toward negative responses here. I'll speak for myself and say that the way your original post was written really made me think you were a clueless dude with major attitude. You seemed to offer all the ...

Budos Band on Vinyl.

Erykah Badu, Mamma's Gun, on Vinyl.

Unless you have at track record that proceeds you, having someone hear a sample of your work is not out of the ordinary. It's also common for any business to get a financial commitment (50%) deposit before any work would begin. Seems there was a communication break down in that there was no deposit...

Pardon me for getting back on topic. Thank you. First off, I do think that I made the mistake of not emailing him back, and that it is expected that once there is a sample, it should be sent to client. Got it. I'd like to chalk it up to a learning experience. I did not master these tracks, but the ...

I used to keep everything and "we'll decide later" was my motto. After two records with my band, and recording a number of other projects, nothing makes me smile more than a good tone and performance right off the bat. If it doesn't sound good, I'm going to record over it. +1 on reading that Jack Wh...