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I reckon beating the thing to death would sound more satisfying than just burning it. Pound it all night etc

Ethnic stoned skronk from Western Australia.

http://williamhooper.bandcamp.com/

Good job, the dbx just makes everything sound strange to my ears but I've never touched it on mine.

Nothing latency related, just doesn't feel as fun or rewarding really.

Wow, I have a very similar setup to the one in that studio video*. Never would've thought about filming myself mixing though, it must drum up business well. I do everything on tape and mix through the 388 into whatever 2 channel interface I have at the time. I've digitally overdubbed more on top in ...

I use an Audio-Technica TCP8506 4 channel phantom power supply with my 388.

Lay some extra prog.

He's nuts...I paid $350 each for a pair here... Yeah he's not as clued in, doesn't read TapeOp. What's your goal? More tracks? Why not record on the 388 and bounce to the Teac? Yeah I know I could bounce down but I'm just curious about the possibility of running them together for shits and/or giggles

Hi I was wondering if anyone had any advice on how I could sync my Tascam 388 and 80-8? I've been loving and using my 388 for a few years now which I got for $300 here in Perth, Western Australia, a friend of mine who plays in Pond got his 388 for $900 and paid that again to ship it from Seattle! wh...

Helped my friend Joe from Pond use his new MINT 388.

Did 2 songs with my punk band and an album with my garage prog band on my less than mint 388.

I recently did an EP and an album with one of my bands on my 388, the first track isn'y working so everything was 7 tracks.

This is from the EP

...and this is from our concept album about Scream 4.