Message Board

My problem with Walter Sears' article up there is that it's all or nothing. "Either you're a brain surgeon or you're a hack. Either you're pro studio or you're a hack." I'm sorry, Mr. Sears never climbed up the learning curve himself? You know - when he was like us? Learning and working hard to get...

Girl Toes wrote:

Professor wrote: It's just music which usually ain't much more than just simple entertainment.

-Jeremy

Then explain how musical therapy works.

voodoo

If you notice that a band your working with is having issues in the studio, first make sure you're not doing anything to advance their problems without knowing it. Definitely to not outright try and solve their problems unless they're close personal friends. It is possible to be a little more subtle...

I absolutely agree with all the people that say word of mouth is the best way to do it. But take that one step further. Establishing a reputation is important but you MUST establish the correct reputation. Pretend you are a band leader and thinking about getting your band into a studio. What kind of...

Seeing as how your recording in a basement, I would be very weary of uing a stereo pair or any microphone pulled back from the instruments. Certainly try them but have a backup plan. I would recommend micing the cello a foot and half to two feet away with a cardiod mic placed at bridge level, but 1...

Seeing as how your recording in a basement, I would be very weary of uing a stereo pair or any microphone pulled back from the instruments. Certainly try them but have a backup plan. I would recommend micing the cello a foot and half to two feet away with a cardiod mic placed at bridge level, but 15...