Message Board

Ok i have a general understanding of dither and everything. From wha ti understand it adds a small amount of low level noise to mask low level noise if that makes sense. Ok i currently record 16 bit 44.1 using a yamaha aw4416 and have not used the dither or at least havent played with the settings ...

Go for it, you can always return it if they send you a lemon great for Jangley rythym voicing

The New Magazine Larry?? Care to drop us any hints? When are you going to run a feature story on me and my place? Not Sure how I got a double post,,Sorry!!

The New Magazine? Care to drop us any hints? When are you going to run a feature story on me and my place?

hmm.. if I could find somebody to take over this one I have created where I have to be Mr Responible, Mr Accountable Mr Mom and a host of other personas, I would be GLAD to join your "Get a life" club and start all over again

Your name seems to suit you well there dude, my main recoding medium is an analog multi track.... this is still Tapeop.. aint it? maybe I'm stoned and keep thinking this is another website. I'm not on anybody NP, I'm exploring, learning, gleaning, I am however in the process of building a Hot Rod DA...

I always was led to believe that Maple bodied guitars were not good for recording, so I never gave one serious consideration, until I got a Hold of the Jumbo Bodied Maple Washburn I have been using and enjoying lately, Puta Maggie, goes to show what listening to rumours will get you, this punk is PH...

the points about using them for location work are all valid ones I suppose, I thought Soundscape was really onto something with the RED ( I dont do Mac so PT is out, they would be out anyhow, even if they were windows compatible) but Mackie bought them, stole the technology and shit on the company, ...

Why you guys even consider these stand alone HDRs when DAWs are where they are at right now as far as performance, price, and everything else I just dont get it and I never will as the DAW scene is just going to keep getting better

somehow I missed out on the tragedy angle, fill me in

Why would anybody want a stand alone HDR when DAWs are at a point now that they are reliable, sound badass, have all the effect processing capabilities, you cant stick a UAD 1 in an HDR, screw a bunch of FTPing as well, I dont know of one that can track 24 at 24/ 96K HDRs are dead and stinking news ...

Fostex model E-2 does the job here, real well I will add

M & G HA HA HA !!!!!!

Whichever one comes in a Bullhorn and broadcast a radio signal would get my vote

a friend of mine asked me this question and I dont have an answer for him, he is thinking DM24 for pre's, effects, routing, automation, with a multitrack tape machine, I've never heard of this being done but there is plenty I dont know