Latest gear you've acquired.....
- Babaluma
- suffering 'studio suck'
- Posts: 447
- Joined: Sun Dec 12, 2004 6:42 am
- Location: Milan, Italy
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i just got my wiard borg 2 filter yesterday. it's a sallen key filter (low pass, band pass and high pass) - a kind of hybrid between the buchla low pass gate and the korg ms-20.
that completes my wiard 1200 series collection, which is great, as they are being phased out now to make way for new 300 series stuff.
grant richter makes the most amazingly well built and incredible sounding synth modules ever. they'll be the museum moog pieces of the future, i have no doubt.
i'm a very very happy customer![Wink :wink:](./images/smilies/icon_wink.gif)
that completes my wiard 1200 series collection, which is great, as they are being phased out now to make way for new 300 series stuff.
grant richter makes the most amazingly well built and incredible sounding synth modules ever. they'll be the museum moog pieces of the future, i have no doubt.
i'm a very very happy customer
![Wink :wink:](./images/smilies/icon_wink.gif)
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- carpal tunnel
- Posts: 1584
- Joined: Sun Jan 16, 2005 7:30 pm
- Location: The US North Coast
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Ooh! Congrats on the old-school Slingerland! I thought long and hard about buying and modding a concert-tom set. The price point on those things are totally hot. In the end though I decided to track down the piece I needed to complete my half-set.Blade wrote:I just scored these a couple of days ago.....
Early 70's Slingerland kit
$125.00
I'm still debating whether to have the toms modded for bottom resonant heads.
You know, if you mod those drums it's guaranteed that 15 years from now the concert-tom sets will be worth millions and everyone will be like, "why the hell'd you do that?" The only way to ensure that this doesn't happen is to leave them like they are, in which case they'll never catch on and 15 years from now everyone'll be like, "why didn't you ever mod those things?"
Still... when I had my original set of Slings I cut the bottom heads out and they sounded huge. Then, once I got good at tuning drums, I put the heads back on and they still sounded huge, only it was a more nuanced huge. Are your drums maple or mahogany?
Thanks.....
By looking at the shells, I'm having a hard time wondering if they are maple or mahogany, but my guess would be the latter. They are 3 ply shells, which is great because from past experience, the thinner the shell, the louder they are with more tone.
Right now I'm leaning more towards leaving them alone, considering I have two other drums kits.
I'm mainly a Ludwig guy, but for the price, I couldn't pass on these things.
They do sound huge and loud....no doubt, but I would like to hear a little more decay/tone in the toms.
I'm not going to do anything until I mic them up and see how they sound recorded.
The bass drum is phenomenal.
By looking at the shells, I'm having a hard time wondering if they are maple or mahogany, but my guess would be the latter. They are 3 ply shells, which is great because from past experience, the thinner the shell, the louder they are with more tone.
Right now I'm leaning more towards leaving them alone, considering I have two other drums kits.
I'm mainly a Ludwig guy, but for the price, I couldn't pass on these things.
They do sound huge and loud....no doubt, but I would like to hear a little more decay/tone in the toms.
I'm not going to do anything until I mic them up and see how they sound recorded.
The bass drum is phenomenal.
Last edited by Blade on Mon Jun 25, 2007 10:35 am, edited 1 time in total.
eisen api-rack compatible pre with purple op amp, jlm input transformer and a cinemag output transformer and a royer-modded mxl v67 w/ a peluso cek-89 capsule ![Very Happy :D](./images/smilies/icon_biggrin.gif)
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FLINT EAST
![Very Happy :D](./images/smilies/icon_biggrin.gif)
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FLINT EAST
Last edited by kojdogg on Thu Mar 17, 2011 6:18 am, edited 1 time in total.
- Sean Sullivan
- moves faders with mind
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- takin' a dinner break
- Posts: 180
- Joined: Tue Jan 10, 2006 3:32 pm
- Location: Goshen, IN
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- buyin' a studio
- Posts: 985
- Joined: Sun Feb 15, 2004 6:27 pm
- Location: The Mome Raths Outgrabe
An SIB echodrive+. I was hurtin' for a good delay for the pedal board. Not too dark, not too sterile, not too noisy, no a2d/d2a on the dry signal. This does it, and sounds beautifully swampy. Closest thing to tape delay in a pedal I've heard yet.
"What you're saying is, unlike all the other writers, if it was really new, you'd know it was new when you heard it, and you'd love it. <b>That's a hell of an assumption</b>". -B. Marsalis
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