Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY
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Marc Alan Goodman
- george martin
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by Marc Alan Goodman » Fri Aug 03, 2012 8:47 pm
A.David.MacKinnon wrote:
those mic stand adapter things that let you hang an extra mic off the side of a stand that your already using. Like this -
Great for setting up and under-snare mic on the snare mic stand or getting a vocal and acoustic guitar mic onto the same stand.
I'll see that one and raise you this:
Latch lake Xtra booms. I've since picked up like eight of the things. They work on any stand (not just the latchlakes), hold a ton of weight and can easily point in pretty much any direction. They've made using our current tiny live space much more feasible. With one of the latchlake mickings I've put as many as six mics on one stand. Instant drum kit.
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EasyGo
- buyin' a studio
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by EasyGo » Sat Aug 04, 2012 7:17 am
Brett Siler wrote:IMeasuring tape
string
Of course! Very useful for Glyn Johns and Recorderman drum mic setups.
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timcoalman
- gettin' sounds
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by timcoalman » Sun Aug 05, 2012 10:35 pm
chris harris wrote:I use my iPhone for lots of stuff in the studio. Tapping in tempos, tuner in a pinch, animoog, SynthStation, ProRemote for controlling PT, etc...
I also use moon gels, Little Labs STD, and an Earthworks KickPad on nearly every session.
As I am more of a hobbyist and record primarily my own projects, I use my iphone to take many photographs of wiring, settings, physical arrangements of setups, et cetera before I change anything. I can then scroll through pics to see just where the black-wire-that-terminates-in-two-exposed-prongs goes (the electrical outlet!).
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digitaldrummer
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by digitaldrummer » Mon Aug 06, 2012 7:46 pm
I also should have mentioned my wireless keyboard - you know, the kind you type on.
I thought about the Tranzport, but the wireless keyboard was less expensive and did the job well. I am always carrying it around - I usually set it on a bar stool or something convenient near me when I record drums or percussion parts, or whatever else. I honestly could not see recording by myself without it anymore. WAY better than running back and forth.
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top_ape
- alignin' 24-trk
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by top_ape » Tue Aug 07, 2012 3:43 pm
Surprised no one mentioned a cable tester yet. The ebtech one is great, though behringer's exact copy of same (besides the fact that all proceeds go to the devil) is fine too.
Ptouch
Rane balance buddy also indispensable for interfacing consumer gear, dj mixers, eqs, etc. It is passive, transformer based and sounds great as a keyboard di too, often.
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Brett Siler
- moves faders with mind
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by Brett Siler » Tue Aug 07, 2012 11:58 pm
A.David.MacKinnon wrote:
Great for setting up and under-snare mic on the snare mic stand or getting a vocal and acoustic guitar mic onto the same stand.
I like to use these to mic the hihat and ride from underneath
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cgarges
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by cgarges » Wed Aug 08, 2012 1:39 pm
EasyGo wrote:Brett Siler wrote:IMeasuring tape
string
Of course! Very useful for Glyn Johns and Recorderman drum mic setups.
I just use extra mic cables.
Chris Garges
Charlotte, NC
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The Real MC
- steve albini likes it
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by The Real MC » Wed Aug 08, 2012 2:14 pm
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Brett Siler
- moves faders with mind
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by Brett Siler » Wed Aug 08, 2012 3:09 pm
Whoa what the hell is that?
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No Wave Casio Kitsch
- re-cappin' neve
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by No Wave Casio Kitsch » Wed Aug 08, 2012 3:16 pm
Brett Siler wrote:Whoa what the hell is that?
It looks like a hearing aid.
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Sean Sullivan
- moves faders with mind
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by Sean Sullivan » Wed Aug 08, 2012 3:53 pm
No all are "tools" but every studio should have these essentials:
Measuring tape
Scissors
All types of tape (duct, electrical, console, masking)
Instrument tuners
Coffee and bottled water
Stand lights
Flashlight
Guitar string clipper
Little rugs to put under musicians feet if you have a hard surface floor (don't want to hear that foot tapping!)
Pair of reading glasses (for the old folks)
Scanner/copier (very important if you are working with musicians with charts because they never make copies themselves)
Blank CDs
Book of dirty limericks (everyone likes a dick or fart joke, right?)
Still waiting for a Luna reunion
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supafuzz
- carpal tunnel
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by supafuzz » Thu Aug 09, 2012 4:50 pm
top_ape wrote:Surprised no one mentioned a cable tester yet. The ebtech one is great, though behringer's exact copy of same (besides the fact that all proceeds go to the devil) is fine too.
It is passive, transformer based and sounds great as a keyboard di too, often.
I second this item...use it every day and it's made the hard job of wiring up patchbays etc a little easier.
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The Real MC
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by The Real MC » Fri Aug 10, 2012 7:30 am
No Wave Casio Kitsch wrote:Brett Siler wrote:Whoa what the hell is that?
It looks like a hearing aid.
Correct.
I have a hearing impairment due to a birth defect. But throughout my life my ears were acutely attuned to music.
I wore hearing aids all my life, and back in 1995 I got a new digital hearing aid. The clarity of the aid was a big improvement over the older aids and the impact on my music and mixing skills was incredible.
If there is any one small tool in the studio that I cannot live without, that is it.
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vvv
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by vvv » Fri Aug 10, 2012 2:48 pm
More I thought of:
power-strip extension cords
Sharpies
nail-clippers & Emery boards
SDC card reader
LTR's (Craig Anderton's "little red ties")
shoe laces (to tie inna loop to make cord-hangers)
Xmas lights
1/2 gal. plactic bags (to cover/store mics)
mini@1/4"st. headphone adaptors
fine-point white-out marker (to temp-label settings)
duct & masking tape
chopsticks (to tap-test tubes, etc.)
milk crates, small solid stools to raise amps off floor
mini-fan
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Brett Siler
- moves faders with mind
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by Brett Siler » Fri Aug 10, 2012 5:07 pm
The Real MC wrote:
I wore hearing aids all my life, and back in 1995 I got a new digital hearing aid.
No way the digital one's are way to sterile. Analog hearing aids just glue the mixes together in much more pleasing way than digital. Sorry you sir are wrong.
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