That's gonna go straight to his head.lightandmind wrote:Thanks Tony, your a pretty swell guy, ya know?
EQ- Are you a Cutter, or a Booster?
- lightandmind
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- george martin
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i think most people would agree to use the fader first.
you can also turn it up using the makeup gain on a compressor, plugging it into a pre-amp or line-level amp for effect, make multiple instances of a track and treating them differently...
the idea basically is, say you have a "dull" kick drum, not a lot of 1-2k to make it "poke out". bringing the fader up by itself might help it poke through, but then you'd have too much low end. so, you could boost narrowly around 1.5k. or you can cut with a wide Q from 200hz-400hz or something, and bring the fader up, resulting in more click and not too much low mids.
you can also turn it up using the makeup gain on a compressor, plugging it into a pre-amp or line-level amp for effect, make multiple instances of a track and treating them differently...
the idea basically is, say you have a "dull" kick drum, not a lot of 1-2k to make it "poke out". bringing the fader up by itself might help it poke through, but then you'd have too much low end. so, you could boost narrowly around 1.5k. or you can cut with a wide Q from 200hz-400hz or something, and bring the fader up, resulting in more click and not too much low mids.
- lightandmind
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Good stuff, fader gain is always simple enough.
Question: Say you have a signal that you want to use, for example, an outboard parametric for cutting, and the mixer EQ for slightly boosting the good stuff- which should be done first, cut or boost? Whats a good order to put them in the signal chain? (ex: mic-pre-outboard-mixer, mic-pre-mixer-outboard [thru insert],etc.) All suggestions appreciated-
Question: Say you have a signal that you want to use, for example, an outboard parametric for cutting, and the mixer EQ for slightly boosting the good stuff- which should be done first, cut or boost? Whats a good order to put them in the signal chain? (ex: mic-pre-outboard-mixer, mic-pre-mixer-outboard [thru insert],etc.) All suggestions appreciated-
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- george martin
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boosting 'transforms' the track. cutting keeps it the same.
mics, especially flat response mics, pick up, more or less, what's there. so, if you cut a certain frequency, you're usually doing it because something else dominates that range - or, it just doesn't sound good.
if you boost something, you're adding what wasn't there to begin with. this is intresting, but tricky.
use both. transform your audio so it sounds good.
mics, especially flat response mics, pick up, more or less, what's there. so, if you cut a certain frequency, you're usually doing it because something else dominates that range - or, it just doesn't sound good.
if you boost something, you're adding what wasn't there to begin with. this is intresting, but tricky.
use both. transform your audio so it sounds good.
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preservation society
god bless +6 tape
valves and serviceability
*chief tech and R&D shaman at shadow hills industries*
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word.themagicmanmdt wrote:boosting 'transforms' the track. cutting keeps it the same.
mics, especially flat response mics, pick up, more or less, what's there. so, if you cut a certain frequency, you're usually doing it because something else dominates that range - or, it just doesn't sound good.
if you boost something, you're adding what wasn't there to begin with. this is intresting, but tricky.
use both. transform your audio so it sounds good.
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