five people.lancebug wrote:Is it worth all the neg pub and animosity its generating?
-mad
I don't think they'll have much luck, most folks here seem more into DIY recording/production.In the meantime, I wanted to let you know that as you gear up for your 2006 projects, Undertow's Producer roster is ready and willing to rock for you. Our producers have significant major and indie label experience, can assist in songwriting and arranging, can fit a range of budgets, and either have their own studios or a studio "homebase:"
[*]/*David Z*/
[*]/*Jay Bennett*/
[*]/*Doug Easley*/
[*]/*Tim Mooney*/
[*]/*Matt Pence*/
[*]/*Jeff Powell*/
[*]/*Seth Rothschild*/
Wondering how best to handle your next project? Simply give me a call to talk about the details, and we can review which Undertow Producer would be most appropriate for your artist.
Thanks for your time, and have a great weekend.
IIRC the message wasn't that the mailing list would be sold, which is kind counterproductive to everyone involved, but that we would receive sponser messages - very different indeed.cwileyriser wrote:If selling the mailing list (like we were told would happen) means this board can stay up and I can continue to get TapeOp for free, then hey, the TapeOp folks can sell my email address or mailing address to every legit operator - and every industry pimp, for that matter - they want. I'd rather get music spam than Viagra spam, I guess.
I think that it would depend heavily on the nature of that legitimate business. I'd imagine that if you started a factory that manufactured magnetic tape, that buying the tapeop mailing list would be of quite large value.lancebug wrote: I might suggest that buying the tapeop mailing list is of questionable value to legitimate businesses.
Oh joy. Unfortunately, this is made from whole cloth.. Why?A evil spammer in a trench coat wrote:i had an intern over the holiday break go through appropriate directories (printed, not even on-line, for things like SxSW 04/05, the musician's atlas, rpm direct producer/engineer directory), as well as my past issues of tapeop, for people who might actually care about what we do. this effort was to grow the email database i keep for our producers, and also included record label staffs and band managers. i then sent a very brief "kick off the year - see you at sxsw" email.
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