looking for a good 4-8 ch headphone amp...
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looking for a good 4-8 ch headphone amp...
I found an alto hpa-6, and a Samson that looked the part but I was wondering if any one had any opinions on any others?
I'm wanting to not spend more than $150, but don't want to get a $20 turd either.
I'm wanting to not spend more than $150, but don't want to get a $20 turd either.
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+1jwl wrote:I love my Mackie HMX56, but that's $239.... well worth it though to get individual headphone mixes.
Dont know how we lived without it.
'Well, I've been to one world fair, a picnic, and a rodeo, and that's the stupidest thing I ever heard come over a set of earphones'
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- Jeff White
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I bought a behringer and the p.o.s. was broken right out of the box.
I know enough to know that I don't know what I am doing.
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I prefer the Behringer....
Behringer; I have a HA4000 4-channel one. I've had good luck with mine. The Behringer is a little unrefined, but loud as hell. I have one of those expensive OZ Audio HA-6 ones as well, the OZ is built like a tank and very clean sounding, but I'd rather use the Behringer. It fits in the rack, and I think that it drives difficult headphone loads (like AKG 240's) louder than the OZ.
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i have the alto. I like it. I would love to build individual mixes.....but.........for as little as I record it sounds good, and is loud....and cheap..yeah cheap..
justin
justin
another metal guitar tip is to put a fan in front of you while you play, so it blows your stupid long hair around like the solo is BLOWING YOU AWAY because you're a fucking tool.
-1 on that Behringer POS. We had to take ours out of the rack because it would overheat and go into thermal shutdown during takes. POS. If we manage to keep it cool (w/ fans and heatsinks), it sometimes gets through whole takes, but if its been on for a few hours and the room is warm, its pretty spotty.
sparky, which Behringer model headphone amp are you using... the 4-channel or 8-channel one?sparky wrote:-1 on that Behringer POS. We had to take ours out of the rack because it would overheat and go into thermal shutdown during takes. POS. If we manage to keep it cool (w/ fans and heatsinks), it sometimes gets through whole takes, but if its been on for a few hours and the room is warm, its pretty spotty.
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I trust that by "4-8 channel" what you are really meaning is 4-8 outputs all listening to just one stereo feed, right? That's a lot different than 4-8 separate stereo feeds, but given the gear being recommended, I'm guessing that's the idea.
I think it makes a lot more sense to buy a simple power amp (maybe you even have a spare hangin' around the house? ) and run the outputs to a headphone splitter box along the lines of this:
I run two 60wpc amps back in the machine room and have the amp outputs parallelled to a couple of output jacks spread around the live room and control room. Then whenever I need a headphone connection, I plug a box into one of the monitor output patches and I'm set. The advantage over a single, rackmount unit, is that I'm not trying to feed headphones for a six-piece band from one point in a rack, and I can continue to expand by buying more boxes (I happen to have 8, but you can start with one or two). The boxes discount to a pretty cheap price, so the only question mark is the amp, but even a $20 home stereo receiver from a pawn shop will be way more than enough to push a few sets of headphones, and will be 10 times the build-quality of any headphone amp from Rolls or Behringer.
-Jeremy
I think it makes a lot more sense to buy a simple power amp (maybe you even have a spare hangin' around the house? ) and run the outputs to a headphone splitter box along the lines of this:
I run two 60wpc amps back in the machine room and have the amp outputs parallelled to a couple of output jacks spread around the live room and control room. Then whenever I need a headphone connection, I plug a box into one of the monitor output patches and I'm set. The advantage over a single, rackmount unit, is that I'm not trying to feed headphones for a six-piece band from one point in a rack, and I can continue to expand by buying more boxes (I happen to have 8, but you can start with one or two). The boxes discount to a pretty cheap price, so the only question mark is the amp, but even a $20 home stereo receiver from a pawn shop will be way more than enough to push a few sets of headphones, and will be 10 times the build-quality of any headphone amp from Rolls or Behringer.
-Jeremy
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