heavy duty mic stands?
heavy duty mic stands?
my cheapo on stage stands work well enough for most of my needs, but I sure would like a couple of mic stands that can hold heavier mics without failing or requiring me to twist the tension knob until it almost breaks.
any recommendations?
any recommendations?
Atlas MS-25 http://www.atlassound.com/pn/MS25
Ultimate MC-125 http://www.ultimatesupport.com/product/MC-125
K and M boom http://www.google.com/products/catalog? ... CCwQ8wIwAg#
Ultimate MC-125 http://www.ultimatesupport.com/product/MC-125
K and M boom http://www.google.com/products/catalog? ... CCwQ8wIwAg#
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- Dan Phelps
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I have one Latch Lake stand, and I feel as much affection and enthusiasm for it as almost any other piece of gear in the studio. It's great, especially if you have some higher ceilings or hefty mics (or both). Excellent engineering. I can't recommend it enough.
I also have some hefty On Stage brand stands that are on wheels. They do the job just fine...but only 20% as flexible and 10% as well built as the Latch Lake.
I also have some hefty On Stage brand stands that are on wheels. They do the job just fine...but only 20% as flexible and 10% as well built as the Latch Lake.
- Dan Phelps
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I have one Latch Lake stand, and I feel as much affection and enthusiasm for it as almost any other piece of gear in the studio. It's great, especially if you have some higher ceilings or hefty mics (or both). Excellent engineering. I can't recommend it enough.
I also have some hefty On Stage brand stands that are on wheels. They do the job just fine...but only 20% as flexible and 10% as well built as the Latch Lake.
I also have some hefty On Stage brand stands that are on wheels. They do the job just fine...but only 20% as flexible and 10% as well built as the Latch Lake.
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- zen recordist
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I have 4 latch lake stands: two of the full size and two of the LE version that are totally amazing and super well made and cost like 300 less than the full size stands. you can even expand on the stands by getting a couple of the weighted secondary aroms later, and wind up with a single stand on the floor that holds three mics REALLY well. Its cheap insurance for your expensive/vintage/rare/cherished/awesome mics.Furilla wrote:I have one Latch Lake stand, and I feel as much affection and enthusiasm for it as almost any other piece of gear in the studio. It's great, especially if you have some higher ceilings or hefty mics (or both). Excellent engineering. I can't recommend it enough.
I also have some hefty On Stage brand stands that are on wheels. They do the job just fine...but only 20% as flexible and 10% as well built as the Latch Lake.
- casey campbell
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- ChurchOfTheta
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+2 on the K&M booms, I love them. They hold up with stage abuse well too.Neal wrote:+1 for the K&M's. You put em where you want and and they stay there. What a concept!
The Ultimate MC-125 are very nice as well if you're looking for a taller stand.
Having a pair of Atlas studio booms are always helpful.
http://www.atlassound.com/Product.aspx?id=1591&pI=1589
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- calaverasgrandes
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I've had several atlas stands that needed threads retapped. They just wouldnt hold the boom in place otherwise. I'm the kind of guy that would rather just fix the damn thing than return it. But heck if I bought an Atlas stand after that!
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- ChurchOfTheta
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I've never used Atlas booms other than the heavy duty monsters. I do like the combo of standard Atlas bases and K&M booms.calaverasgrandes wrote:I've had several atlas stands that needed threads retapped. They just wouldnt hold the boom in place otherwise. I'm the kind of guy that would rather just fix the damn thing than return it. But heck if I bought an Atlas stand after that!
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