Brighter Drum Tracks

general questions, comments and ideas about recording, audio, music, etc.
User avatar
wayne kerr
ears didn't survive the freeze
Posts: 3873
Joined: Thu May 08, 2003 10:11 am

Re: Brighter Drum Tracks

Post by wayne kerr » Sun Aug 01, 2004 1:22 am

Jeff Robinson wrote:Of course, the line about making better sounding records is in gest fellas...
No it's not. Not even a little bit.

SH
The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over.
-Hunter S. Thompson

djgout
suffering 'studio suck'
Posts: 408
Joined: Mon Jan 26, 2004 9:59 am
Location: no longer boston now in thrashville tn

Re: Brighter Drum Tracks

Post by djgout » Sun Aug 01, 2004 6:38 am

beebe wrote:There is an article here on drum mixing that helped us out. Just run through the exercise and see if it helps.
http://www.recordingproject.com/features.php
hey beebe and everyone else-- this is an interesting article, though i suggest taking their advice with a huge ass grain of salt.
in reading the article some of the advice is alright, the specifics of the EQ-ing is odd though as it would change depending on your source, and the author suggests trying to cut the snare out of the overheads!!!!! WHAT THE FUCK!?!?!?!??!

the biggest kicker to me though was the samples of gating the snare drum. first it plays the snare track unaffected, then with a gate, then gated with the rest of the drums. the first thing i noticed listening to the unaffected snare track was that the drummer was playing ghost notes between the backbeat, then the gated track comes in and the gate is cutting out the ghost notes, not all of them though. that definitly shows that the author didn't listen to the drums at all. gates and expanders are cool but if you actually remove parts of the performance inadvertantly like that it's gonna piss off the band. writing an article with advice like that is dangerous, there's impressionable minds out there!!!

and of course i mean no ill will towards the author or anyone who found his advice to be worthwhile, but take everything through the only filter that matters in recording, use your ears!!!!!
justin herlocker
grindengineering (at) gmail (dot) com

pedrohead
steve albini likes it
Posts: 375
Joined: Thu Jul 08, 2004 7:18 pm
Location: Detroit Rock City
Contact:

Re: Brighter Drum Tracks

Post by pedrohead » Mon Aug 02, 2004 6:20 am

back on the main subject, actually the best thing i've done to brighten up my drum tracks (and i'm sorry if this is an equipment-type solution, trying not to fall into the "get an API" line) was the new aardsync II word clock i just got. the overheads definetly opened up a lot and the top end was a lot tighter and brighter.

that really did the trick for me at least.

Al_Huero
suffering 'studio suck'
Posts: 485
Joined: Thu Sep 25, 2003 9:58 am
Location: Vista
Contact:

Re: Brighter Drum Tracks

Post by Al_Huero » Mon Aug 02, 2004 8:35 am

Yeah, I got a big jump out of synching the 002R to a Mini-Me. I think everything is pretty good now and will get better in the future. I found I didn't really need to do all that much eq'ing--a few dB cuts here and there made a big difference; as did taking the boost out of the kick I'd fallen in love with at one point.

My new setup will allow me to track 10-channels at 24-bit, 48 kHz with the Mini-me enhanced converters--so I'm optimistic.

A lot of it was just learning my room/monitoring environment. I've done alot more listening to reference CD's over the last couple of weeks which I absolutely should have done alot more of beforehand. I also figured out that my sub-setup on my home system was way out of whack. One of these days I'll figure it all out if I don't go insane first.

I have to say I got a sympathetic laugh at the quote in the recent TapeOp from the guy that said he couldn't sell his car because that was his best listening evironment.

User avatar
beebe
studio intern
Posts: 28
Joined: Fri Apr 16, 2004 10:03 am
Location: Atlanta
Contact:

Re: Brighter Drum Tracks

Post by beebe » Mon Aug 23, 2004 9:14 am

djgout wrote:WHAT THE FUCK!?!?!?!??!
djgout,
yeah i didn't really get the cutting the snare from the overheads part. we ended up using very little of that article... especially the gating, but we are just starting out and it got us moving forward. i guess i should have included the bit about "a grain of salt."

Seej
takin' a dinner break
Posts: 183
Joined: Thu Sep 25, 2003 5:41 pm
Location: Tucson, AZ
Contact:

Re: Brighter Drum Tracks

Post by Seej » Mon Aug 23, 2004 6:51 pm

I've been recording at this studio in town www.lnlrecording.com and I didnt like the way the drums sounded, particulary with the snare and bass drum and the reverb he put on it. I always liked the way I taped the drums on my band's demos. Two overhead mics and it sounded perfect to my ears. But then of course I engineered our demos, so Im a bit biased. But I really wanted the drums to sound the same as it did on our demos. My guitarist didnt want that, but I dont like polished sounds and making it all perfect and shit. I wish I could post the different versions of our songs but I dont have a website for that. Ugh.
"You can have a crappy drum set and still be a good drummer. And then you can have a $15,000 drum set with all these drums and the drummer's crap."-Mike Gibbins (1949-2005)

http://www.soundcloud.com/Seej1982

dynomike
carpal tunnel
Posts: 1651
Joined: Wed Jun 18, 2003 8:26 am

Re: Brighter Drum Tracks

Post by dynomike » Mon Aug 23, 2004 8:07 pm

Okay, two things.

Wood floors! Man this makes a difference.. and yeah it sounds like your room is too dead in the high end anyhow.

Maybe use some s/d mics on overheads?

But when I put in a wood floor I saw a world of difference.

Mike
Making Efforts and Forging Ahead Courageously! Keeping Honest and Making Innovations Perpetually!

Seej
takin' a dinner break
Posts: 183
Joined: Thu Sep 25, 2003 5:41 pm
Location: Tucson, AZ
Contact:

Re: Brighter Drum Tracks

Post by Seej » Mon Aug 23, 2004 8:33 pm

Yea, that could make a difference but I dont think he wants to rip apart the whole studio just to put in a wood floor. I'll run that by him though.
"You can have a crappy drum set and still be a good drummer. And then you can have a $15,000 drum set with all these drums and the drummer's crap."-Mike Gibbins (1949-2005)

http://www.soundcloud.com/Seej1982

Locked

Who is online

Users browsing this forum: No registered users and 18 guests