RIP Pete Seeger

Regional activities, relevant news, job openings, studio searches, local beer nights (not a forum to plug the new album you just worked on)

Moderator: drumsound

Post Reply
User avatar
supafuzz
carpal tunnel
Posts: 1730
Joined: Wed May 07, 2003 6:02 am
Location: Beacon NY
Contact:

RIP Pete Seeger

Post by supafuzz » Tue Jan 28, 2014 3:14 am

NEW YORK ? Pete Seeger, the banjo-picking troubadour who sang for migrant workers, college students and star-struck presidents in a career that introduced generations of Americans to their folk music heritage, died Monday at the age of 94.

Seeger -- with his a lanky frame, banjo and full white beard -- was an iconic figure in folk music. He performed with the great minstrel Woody Guthrie in his younger days and marched with Occupy Wall Street protesters in his 90s, leaning on two canes. He wrote or co-wrote "If I Had a Hammer," "Turn, Turn, Turn," "Where Have All the Flowers Gone" and "Kisses Sweeter Than Wine." He lent his voice against Hitler and nuclear power. A cheerful warrior, he typically delivered his broadsides with an affable air and his banjo strapped on.

"Be wary of great leaders," he told The Associated Press two days after a 2011 Manhattan Occupy march. "Hope that there are many, many small leaders."



Seeger also was credited with popularizing "We Shall Overcome," which he printed in his publication "People's Song," in 1948. He later said his only contribution to the anthem of the civil rights movement was changing the second word from "will" to "shall," which he said "opens up the mouth better."

His musical career was always braided tightly with his political activism, in which he advocated for causes ranging from civil rights to the cleanup of his beloved Hudson River. Seeger said he left the Communist Party around 1950 and later renounced it. But the association dogged him for years.

He was kept off commercial television for more than a decade after tangling with the House Un-American Activities Committee in 1955. Repeatedly pressed by the committee to reveal whether he had sung for Communists, Seeger responded sharply: "I love my country very dearly, and I greatly resent this implication that some of the places that I have sung and some of the people that I have known, and some of my opinions, whether they are religious or philosophical, or I might be a vegetarian, make me any less of an American."

He was charged with contempt of Congress, but the sentence was overturned on appeal.

Seeger called the 1950s, years when he was denied broadcast exposure, the high point of his career. He was on the road touring college campuses, spreading the music he, Guthrie, Huddie "Leadbelly" Ledbetter and others had created or preserved.

"The most important job I did was go from college to college to college to college, one after the other, usually small ones," he told The Associated Press in 2006. " ... And I showed the kids there's a lot of great music in this country they never played on the radio."

His scheduled return to commercial network television on the highly rated Smothers Brothers variety show in 1967 was hailed as a nail in the coffin of the blacklist. But CBS cut out his Vietnam protest song, "Waist Deep in the Big Muddy," and Seeger accused the network of censorship.

He finally got to sing it five months later in a stirring return appearance, although one station, in Detroit, cut the song's last stanza: "Now every time I read the papers/That old feelin' comes on/We're waist deep in the Big Muddy/And the big fool says to push on."

Seeger's output included dozens of albums and single records for adults and children.

He appeared in the movies "To Hear My Banjo Play" in 1946 and "Tell Me That You Love Me, Junie Moon" in 1970. A reunion concert of the original Weavers in 1980 was filmed as a documentary titled "Wasn't That a Time."


Seeger was inducted into the Rock and Roll Hall of Fame in 1996 as an early influence. Ten years later, Bruce Springsteen honored him with "We Shall Overcome: The Seeger Sessions," a rollicking reinterpretation of songs sung by Seeger.

words.

Seeger maintained his reedy 6-foot-2 frame into old age, though he wore a hearing aid and conceded that his voice was pretty much shot. He relied on his audiences to make up for his diminished voice, feeding his listeners the lines and letting them sing out.

"I can't sing much," he said. "I used to sing high and low. Now I have a growl somewhere in between."

Nonetheless, in 1997 he won a Grammy for best traditional folk album, "Pete."

Seeger was born in New York City on May 3, 1919, into an artistic family whose roots traced to religious dissenters of colonial America. His mother, Constance, played violin and taught; his father, Charles, a musicologist, was a consultant to the Resettlement Administration, which gave artists work during the Depression. His uncle Alan Seeger, the poet, wrote "I Have a Rendezvous With Death."

Pete Seeger said he fell in love with folk music when he was 16, at a music festival in North Carolina in 1935. His half brother, Mike Seeger, and half sister, Peggy Seeger, also became noted performers.

He learned the five-string banjo, an instrument he rescued from obscurity and played the rest of his life in a long-necked version of his own design. On the skin of Seeger's banjo was the phrase, "This machine surrounds hate and forces it to surrender" -- a nod to his old pal Guthrie, who emblazoned his guitar with "This machine kills fascists."

Dropping out of Harvard in 1938 after two years as a disillusioned sociology major, he hit the road, picking up folk tunes as he hitchhiked or hopped freights.

"The sociology professor said, 'Don't think that you can change the world. The only thing you can do is study it,"' Seeger said in October 2011.

In 1940, with Guthrie and others, he was part of the Almanac Singers and performed benefits for disaster relief and other causes.

He and Guthrie also toured migrant camps and union halls. He sang on overseas radio broadcasts for the Office of War Information early in World War II. In the Army, he spent 3 1/2 years in Special Services, entertaining soldiers in the South Pacific, and made corporal.

Pete and Toshi Seeger were married July 20, 1943. The couple built their cabin in Beacon after World War II and stayed on the high spot of land by the Hudson River for the rest of their lives together. The couple raised three children. Toshi Seeger died in July at age 91.

The Hudson River was a particular concern of Seeger. He took the sloop Clearwater, built by volunteers in 1969, up and down the Hudson, singing to raise money to clean the water and fight polluters.

Seeger told the AP in 2008 when asked to reflect on his legacy. "There's not dozens of people now doing what I try to do, not hundreds, but literally thousands. ... The idea of using music to try to get the world together is now all over the place."
Super 70 Studio.. Never tell a perfectionist that the mix is perfect!

http://www.super70studio.com
http://www.facebook.com/Super70Studio


now in glorious HD3

User avatar
supafuzz
carpal tunnel
Posts: 1730
Joined: Wed May 07, 2003 6:02 am
Location: Beacon NY
Contact:

pete

Post by supafuzz » Tue Jan 28, 2014 3:19 am

I did get to sing along with him at a 4th of July festival right here in Beacon this summer. He was the most well known and beloved person in this town and will be missed. He did a lot to clean the Hudson river and I'm sure his life's work will be carried on. It's a sad day here. I'm sure there will be a number of memorials here.
Super 70 Studio.. Never tell a perfectionist that the mix is perfect!

http://www.super70studio.com
http://www.facebook.com/Super70Studio


now in glorious HD3

User avatar
vvv
zen recordist
Posts: 10222
Joined: Tue May 13, 2003 8:08 am
Location: Chi
Contact:

Post by vvv » Tue Jan 28, 2014 1:15 pm

RIP.

(Nice posts, guys.)
bandcamp;
blog.
I mix with olive juice.

accordion squeezist
pushin' record
Posts: 218
Joined: Mon Jan 25, 2010 7:34 am
Location: Spring Grove, Pennsylvania

Post by accordion squeezist » Tue Jan 28, 2014 4:12 pm

In the sloppy, poor acoustic environment of the sing-along, he was the King of Tempo. What amazing skill!

dfuruta
re-cappin' neve
Posts: 697
Joined: Fri May 08, 2009 11:01 am

Post by dfuruta » Tue Jan 28, 2014 7:33 pm

Seeing him was the first concert I can remember. I was five. He told us how to make our own "banjos" from oatmeal boxes, wood & fishing line. Still have mine, somewhere.

It's hard to think of an era, now, where popular artists stood for more than money.

drumsound
zen recordist
Posts: 7542
Joined: Tue Jun 01, 2004 10:30 pm
Location: Bloomington IL
Contact:

Post by drumsound » Tue Feb 04, 2014 12:57 pm

He has a wonderful legacy. We're all better off for having him around.

RIP

Post Reply

Who is online

Users browsing this forum: No registered users and 21 guests