Why did everybody use so much reverb in the 80s?
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- JGriffin
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An excellent point. That can also explain the really silly stereo panning on '60s records.
"Jeweller, you've failed. Jeweller."
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
- Snarl 12/8
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- JGriffin
- zen recordist
- Posts: 6739
- Joined: Thu Jul 31, 2003 1:44 pm
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- Contact:
"Who's the U-Boat commander?"
"Jeweller, you've failed. Jeweller."
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
- Snarl 12/8
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- Snarl 12/8
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- Snarl 12/8
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I think the t-pain style of using auto-tune is very creative. They're using a tool to do a completely different job than what it was intended for. Like strapping a rat pedal across a mix buss, or something, creating a new sound. It's been overdone, sure. Arguably, it even sounds like ass, but c'mon, it, at some point, was creative.honkyjonk wrote:Why doesn't somebody on this message board find a way to use autotune creatively and post the results?
Now you want a new creative use of autotune? What makes you think that's going to turn out any better in the final analysis?
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- alignin' 24-trk
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Well...there is always autotune the news.
And very agreed with the "because it was new theory." Just like every album released in 1984 had dx7 all over it - VH is a case in point.
I was a young pup when I first heard the faux horn lead-in on "I'll Wait" and even though a critical listening now tells me the sound is cheeseball and passe....if I squint just right, it still sounds badASS.
And very agreed with the "because it was new theory." Just like every album released in 1984 had dx7 all over it - VH is a case in point.
I was a young pup when I first heard the faux horn lead-in on "I'll Wait" and even though a critical listening now tells me the sound is cheeseball and passe....if I squint just right, it still sounds badASS.
bigger and better....sooner than later
- Snarl 12/8
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Auto-tune renewed my faith in Katie Couric as a current events spokesmodel.caffiend2049 wrote:Well...there is always autotune the news.
And very agreed with the "because it was new theory." Just like every album released in 1984 had dx7 all over it - VH is a case in point.
I was a young pup when I first heard the faux horn lead-in on "I'll Wait" and even though a critical listening now tells me the sound is cheeseball and passe....if I squint just right, it still sounds badASS.
DX7? We overused that because it was the only keyboard we had for a while. Have you been listening to my HiSkool music folder?
Didn't they tout fm synthesis in a "this digital is the new analog" sort of way? Like, "Hey, don't buy that new Mirage 12-bit sampler, the DX7 actually sounds more realistic if you use it right."
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