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markjazzbassist
pushin' record
Joined: 25 Apr 2011
Posts: 242
Location: New Orleans, LA
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 Posted: Wed Sep 19, 2012 8:23 pm Post subject: Re: making a record with only one model of mic |
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electro voice 667a, 668 or re 20 (all the same mic, just different variations).
pretty flat response great for bass, keys, kick, guitar, vocals.
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losthighway
george martin
Joined: 14 Apr 2008
Posts: 1410
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| Posted: Wed Sep 19, 2012 11:15 pm Post subject: Re: making a record with only one model of mic |
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My roommate just bought a Fathead (his first mic). He might have a demo done using only it for elec guitar, acoustic guitar, rhodes and vocals.... all fathead before he goes to bed. We'll see how it sounds.
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Brett Siler
resurrected
Joined: 05 Dec 2003
Posts: 2355
Location: Evansville, IN
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losthighway
george martin
Joined: 14 Apr 2008
Posts: 1410
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| Posted: Thu Sep 20, 2012 8:44 am Post subject: Re: making a record with only one model of mic |
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I think I could do it with Shure KSM141's. It wouldn't have a lot of mojo, or grit, but I think it could work. Especially when you start sending stuff into outboard gear during mixing.
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tonewoods
buyin' a studio
Joined: 17 Apr 2004
Posts: 815
Location: Orcas Island, WA
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| Posted: Thu Sep 20, 2012 10:25 am Post subject: Re: making a record with only one model of mic |
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| markjazzbassist wrote: | | electro voice 667a, 668 or re 20... |
I think I remember reading once that "Blood on the Tracks" is essentially a gob of RE20s....?
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Justin Foley
takin' a dinner break
Joined: 15 Jul 2003
Posts: 177
Location: NYC
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| Posted: Fri Sep 21, 2012 9:46 am Post subject: Re: making a record with only one model of mic |
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I got a Calrec Soundfield mic a little while ago and I guess I'd say that, but that is super cheating and pretty esoteric.
I've often thought I could make a great sounding rock record with just beyer m160s and EV RE20s, but not just one or the other. (An m160 on bass or an RE 20 on distorted guitar = ugh.) And a 4033 on distorted guitar sounds nothing like what I head coming out of the cabinet.
I guess if I had to pick one, the neutral Earthworks would probably be it, but I wouldn't love it.
It's nice to have different mics.
= Justin |
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vvv
on a wing and a prayer
Joined: 13 May 2003
Posts: 5701
Location: Chi
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| Posted: Fri Sep 21, 2012 12:59 pm Post subject: Re: making a record with only one model of mic |
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Well, was I gonna, it would be the MD421, or the SM7b.
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dfuruta
buyin' gear
Joined: 08 May 2009
Posts: 513
Location: mpls
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| Posted: Fri Sep 21, 2012 1:05 pm Post subject: Re: making a record with only one model of mic |
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| I've done stuff with only Audio Technica AT4051s. Came out fine. |
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joninc
george martin
Joined: 09 Jun 2003
Posts: 1336
Location: canada
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| Posted: Fri Sep 21, 2012 9:11 pm Post subject: Re: making a record with only one model of mic |
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i think you could easily do anything with a sm7 or a 441. or if we are allowing multi patterns ... a 414 uls.
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germaniac
takin' a dinner break
Joined: 30 Jun 2006
Posts: 157
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| Posted: Fri Sep 21, 2012 10:56 pm Post subject: Re: making a record with only one model of mic |
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| E.Bennett wrote: | | I think I could do an entire record with an electro-voice re55. Distorted guitars would take a bit of tinkering, but otherwise it would not require much compromise. |
Plus one for RE-55. BTW, distorted guitars no problem: get the speaker cab two to three feet off the floor; put the mic head about 12" from the center of the speaker, but pointed away at a 90-degree angle (that is, the mic grill will be perpendicular to the speaker cone, not parallel); also helps to angle the mic body so it's not parallel to either floor or walls (I usually point it up at the ceiling at about a 45-degree angle). Lovely roomy, woody sound.
Joe
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Last edited by germaniac on Sat Sep 22, 2012 1:15 pm; edited 1 time in total |
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telepathy
takin' a dinner break
Joined: 21 Nov 2003
Posts: 173
Location: Somerville, MA
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| Posted: Fri Sep 21, 2012 10:59 pm Post subject: Re: making a record with only one model of mic |
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any of the heavy-hitter large dynamics: RE20, SM7, 421, M88, etc. I'm pretty sure if I went and checked I could find a few records where those *were* all I used, except for ribbons or condensers on drum overheads & room mics.
this article talks about recording Creedence with almost nothing but SM56s (the predecessor to the SM57), aside from snare & cymbal condensers.
http://mixonline.com/recording/tracking/classic-tracks-creedence-clearwater-revival-fortunate
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zorf
ass engineer
Joined: 09 Aug 2011
Posts: 45
Location: us
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| Posted: Sat Sep 22, 2012 9:35 am Post subject: Re: making a record with only one model of mic |
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M-49 ?
Or any high quality condensor either cardio or omni?
Or, Wollensak, of course.
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