Plugin Overload
Plugin Overload
Has anybody else struggled with plugin overload? I feel like I have so many that all compete for the same uses that I can't really decide what to use anymore, and none feel perfect in their own right. Especially compressors.
I'm considering pairing it down to just the essentials and sticking with it until I really need something else, rather than having eight different compressors and 15 eq's to have to choose form each time I mix something.
Now the hard part is choosing what to keep for now...
I'm considering pairing it down to just the essentials and sticking with it until I really need something else, rather than having eight different compressors and 15 eq's to have to choose form each time I mix something.
Now the hard part is choosing what to keep for now...
- tjcasey1
- takin' a dinner break
- Posts: 164
- Joined: Fri Dec 02, 2005 4:10 am
- Location: Boston
- Contact:
Ditto. Even when I have a great new thingy, I find myself going back to DP's Limiter, Compressor, and Para EQ, just because they're familiar tools.JWL wrote:I'm a big fan of doing a mix with just the stock plugins the DAW provides. It's a very interesting exercise, and often produces really good results.
Then if you find you just need a plugin to get a certain sound, go ahead and use it.
My next go-to is Izotope's Nectar for vocals. Other than that, I tend to use something once and then not remember to use it again.
- digitaldrummer
- cryogenically thawing
- Posts: 3525
- Joined: Wed Nov 23, 2005 9:51 pm
- Location: Austin, Texas
- Contact:
Hmmm.
Me, I look at the hardware and say, "I haven't used this lately" and I try and keep using everything, if just for my amusement.
OK, it is just for my amusement.
But the plugs?
I ignore 'em on the usual sounds, only really dig for unusual stuff - I have tons un-used.
And yep, most of what I use (95%?) is DAW-native.
Me, I look at the hardware and say, "I haven't used this lately" and I try and keep using everything, if just for my amusement.
OK, it is just for my amusement.
But the plugs?
I ignore 'em on the usual sounds, only really dig for unusual stuff - I have tons un-used.
And yep, most of what I use (95%?) is DAW-native.
- apropos of nothing
- dead but not forgotten
- Posts: 2193
- Joined: Tue May 13, 2003 6:29 am
- Location: Minneapolis, MN
- Contact:
- digitaldrummer
- cryogenically thawing
- Posts: 3525
- Joined: Wed Nov 23, 2005 9:51 pm
- Location: Austin, Texas
- Contact:
I guess I really meant "access to unlimited hardware". meaning, if you had 200 hardware compressors you'd probably end up finding a few and use them over and over if they worked for you. that's what I've found with most plugins, and as you say the others come out for special occasions. I've never had unlimited hardware though so I'm only speculating...vvv wrote: Me, I look at the hardware and say, "I haven't used this lately" and I try and keep using everything, if just for my amusement.
I sometimes getta little obsessive about shite, and I never throw stuff away, hardly ever sell it.
Consequently I have, let's say, about 10 pre's.
Now, a normal recordist might choose their fave 2-3, sell the others.
I am not normal.
That said, I find inspiration in the variety of sounds, mixing and matching the compressors, the mic's (don't ask how many) and whatever I'm playing into 'em (usually guitars and bass - don't ask how many).
Mind, I don't have two of anything the same, everything was bought because it is different, more or less. And I use it all, or do get rid of it.
I have been told my house looks like a used-equip music store, combined with a used-CD store.
I have lots of cookware, too.
Consequently I have, let's say, about 10 pre's.
Now, a normal recordist might choose their fave 2-3, sell the others.
I am not normal.
That said, I find inspiration in the variety of sounds, mixing and matching the compressors, the mic's (don't ask how many) and whatever I'm playing into 'em (usually guitars and bass - don't ask how many).
Mind, I don't have two of anything the same, everything was bought because it is different, more or less. And I use it all, or do get rid of it.
I have been told my house looks like a used-equip music store, combined with a used-CD store.
I have lots of cookware, too.
-
- zen recordist
- Posts: 6677
- Joined: Wed May 07, 2003 11:15 am
for mastering, i use the same eq, clipper, limiter, de-esser 99% of the time.
pretty much the same in mixing. i don't want to think about which eq to use, i just want to eq something and move on.
semi-related note...does anyone else feel like a lot of modern plugins induce option anxiety? i.e. they have 876 adjustable parameters? most of them do a good job of hiding that stuff on an 'advanced' page, and of course it's good to have the flexibility if you need it....but still...sometimes my small brain feels overwhelmed.
pretty much the same in mixing. i don't want to think about which eq to use, i just want to eq something and move on.
semi-related note...does anyone else feel like a lot of modern plugins induce option anxiety? i.e. they have 876 adjustable parameters? most of them do a good job of hiding that stuff on an 'advanced' page, and of course it's good to have the flexibility if you need it....but still...sometimes my small brain feels overwhelmed.
-
- zen recordist
- Posts: 7485
- Joined: Tue Jun 01, 2004 10:30 pm
- Location: Bloomington IL
- Contact:
I actually do like simpler plugs, just like with hardware. I use the API EQ more than any I have. I really like the McDSP 6030 comp (watch for a review in the magazine) some models in that only have 1 or 2 knobs.MoreSpaceEcho wrote:for mastering, i use the same eq, clipper, limiter, de-esser 99% of the time.
pretty much the same in mixing. i don't want to think about which eq to use, i just want to eq something and move on.
semi-related note...does anyone else feel like a lot of modern plugins induce option anxiety? i.e. they have 876 adjustable parameters? most of them do a good job of hiding that stuff on an 'advanced' page, and of course it's good to have the flexibility if you need it....but still...sometimes my small brain feels overwhelmed.
Option anxiety with plugins is nothing compared to buying deodorant. Er...perhaps I should use an example that studio dwellers can relate to.drumsound wrote:I actually do like simpler plugs, just like with hardware. I use the API EQ more than any I have. I really like the McDSP 6030 comp (watch for a review in the magazine) some models in that only have 1 or 2 knobs.MoreSpaceEcho wrote:for mastering, i use the same eq, clipper, limiter, de-esser 99% of the time.
pretty much the same in mixing. i don't want to think about which eq to use, i just want to eq something and move on.
semi-related note...does anyone else feel like a lot of modern plugins induce option anxiety? i.e. they have 876 adjustable parameters? most of them do a good job of hiding that stuff on an 'advanced' page, and of course it's good to have the flexibility if you need it....but still...sometimes my small brain feels overwhelmed.
Seriously though, I think there's a disconnect between plugin designers and users sometimes. It's like there's an effort to pack as many features in and make something that can be used in 10 different scenarios. As a user, I would rather have 10 plugins that do 1 thing really really well, and just pick the one for the job, rather than slogging though menus and parameters in a swiss army knife style design. I get the "jack of all trades" approach, but people forget that the saying has a second half: "...master of none." And this is not just with plugs, I feel like versatility in all music gear is often marketing hype. One ring to rule them might have been fine for JRR Tolkein but with pedals/plugs/mics it just isn't always the case.
- apropos of nothing
- dead but not forgotten
- Posts: 2193
- Joined: Tue May 13, 2003 6:29 am
- Location: Minneapolis, MN
- Contact:
I feel like the period of time that I went through where I was very enthused about all the different varieties of reverb and reverb impulse and distortion and compressors and soft synths was of good service to me inasmuch as:
The experimentation of making things sound bad in twenty different ways has made me very focused on what works, and leaving well enough alone.
"Get it at the source." Thanks, TapeOp!
The experimentation of making things sound bad in twenty different ways has made me very focused on what works, and leaving well enough alone.
"Get it at the source." Thanks, TapeOp!
Who is online
Users browsing this forum: No registered users and 142 guests