Preamps, different types of the same..

general questions, comments and ideas about recording, audio, music, etc.
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Electro-Voice 664
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Re: Preamps, different types of the same..

Post by Electro-Voice 664 » Mon Feb 14, 2005 1:00 pm

What i've noticed is that modern CDs sound more and more like several records that were juxtaposed onto the same CD track. The colors and textures are so different from each other. The older recordings are, the more they sound like they were coming from the same pot. Now there's more separation but less credibility as a live recording.
I think it depends on how you set up the session. You can get a sound and track all the basics with the same set up, or choose to follow the song's needs and change up the signal path for each tune (or even each section of a tune).

One method may give an album a cohesive feel, while the other may be better for each song individually.
Although there are albums that use very different signal paths song to song, and yet as a whole the album works.

I like albums in both of these styles. If it sounds good I don't mind hearing the same sound for the whole album, then again it is cool when each song sits in its own space and time.

For whatever that is worth
"Play ethnicky jazz to parade your snazz. On your five grand stereo."

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NeglectedFred
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Re: Preamps, different types of the same..

Post by NeglectedFred » Mon Feb 14, 2005 8:01 pm

I don't think the result of varied preamps is always inconsistant sounding albums.. If one prefered, he could use the same 9 different preamps on every song..

If an engineers likes an API on the Kick for one song, and a GML on the kick for another, that's is his style..

I, as well, prefer a somewhat consistant sound on an album, but it doesn't mean I have to use Trident pres on every track to get it. Maybe it's my opinion, maybe it's fact, maybe it doen't even matter, but I'd say you can still get more dimmension and more flavor with assorted pre's.

Eh, what do I know..? I'm a guy who eats glue.
I eat glue.

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