mic pres with consumer level outputs? (-10dBV, unbalanced)
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mic pres with consumer level outputs? (-10dBV, unbalanced)
Yes, I have UTFSF. A talented, yet technologically challanged relative of mine needs a pair of mic pres for recording grand piano direct to consumer CD-R or cassette via -10dBV RCA inputs. Phantom power is a must. Sure, I could rig up something to pad the outputs of a +4dBu balanced device, but I'd rather not have to. He is not particularly concerned with high fidelity and doesn't have much money. I know the Tape Op crowd used to be well versed in such low-budget gear. Is this still the case? Can anyone recommend something, preferably available new?
Thanks for your help!
Thanks for your help!
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I was looking at the DMP3 but got the impression it's +4 out. Have you ran it into consumer input gear with good results? Not too much level?
Last edited by Family Hoof on Sat Mar 04, 2006 10:00 am, edited 1 time in total.
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- sismofyt
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there's no such thing as +4dB/-10dB it's all in your (our) heads. he can use any pre, just turn down the gain
no point in amplifying say 40dB for then to pad it 14dB down
gainstaging is very important. getting hung up on specs is not. those hifi machines may have levels all over the place anyway
if he's not overly interested in sound quality, he can go into _any_ musicshop and give the clerk a hundred dollar bill and come home with something usefull
no point in amplifying say 40dB for then to pad it 14dB down
gainstaging is very important. getting hung up on specs is not. those hifi machines may have levels all over the place anyway
if he's not overly interested in sound quality, he can go into _any_ musicshop and give the clerk a hundred dollar bill and come home with something usefull
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I beg your padon. What dB spec are you talking about? In my post I said -10dBV as opposed to +4dBu. That's 0.316 volts RMS compared to 1.228V. There's a big difference. This is the nominal level that a piece of gear has been designed to fascilitate, and no, it is not in our heads.sismofyt wrote:there's no such thing as +4dB/-10dB it's all in your (our) heads. he can use any pre, just turn down the gain
Yes, you could use a mic pre having a nominal operating level of +4dBu out to feed a -10dBV input with the gain turned down IF the input signal was low enough, but this preamp is giving you a higher level than needed at all settings, in all applications. Not a good choice for versatility.
Actually, the difference is 11.78dB, not 14, but your point is a valid one. This is precisely why I want to buy a mic pre which doesn't have the additonal voltage gain and balancing circuitry needed to operate at +4dBu, as stated in my original post.no point in amplifying say 40dB for then to pad it 14dB down
Once again, I agree. It is ashame that so few "engineers" demonstate a proper understanding of it.gainstaging is very important.
I think on the output of the VTB-1 ( at least on the 2 I have) the 1/4" output is TRS, but if you use an unbalanced cable,it'll default to -10. The XLR output is +4. If you use an unbalanced 1/4" to rca cable to your card, I think you'll be safe! I feed the 1/4" output in the -10 rca input of my Adats all the time . No problem...!....
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