Where do you meet like-minded musicians?
Where do you meet like-minded musicians?
Let's say I'm new in town. I'd like to find one or more musical collaborators.
Craigslist hasn't been that useful so far.
When I look back, my past partnerships resulted from music store 3 X 5's and random chance. But I'm wondering about what else I might do.
I've been reading this forum and Tapeop for years. I thought you guys might have some input. Thanks.
Craigslist hasn't been that useful so far.
When I look back, my past partnerships resulted from music store 3 X 5's and random chance. But I'm wondering about what else I might do.
I've been reading this forum and Tapeop for years. I thought you guys might have some input. Thanks.
- LupineSound
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I find that friends and friends-of-friends is the best route to go. At least that way they're somewhat vouched for.
Messageboards are good, too, in the sense that you probably already have something in common and maybe even have a sense of the person's personality.
Craigslist is a real crapshoot. I've had some great luck with it, but there is far more chaff than wheat. If you're willing to sift through it, you can find what you're looking for. One band I've been playing with for about a year now consists solely of CL dudes that I likely never would have met otherwise. That said, I've jammed with many more CL bozos who could barely play their instruments, or on the flipside, great players who weren't much fun to hang out with.
Messageboards are good, too, in the sense that you probably already have something in common and maybe even have a sense of the person's personality.
Craigslist is a real crapshoot. I've had some great luck with it, but there is far more chaff than wheat. If you're willing to sift through it, you can find what you're looking for. One band I've been playing with for about a year now consists solely of CL dudes that I likely never would have met otherwise. That said, I've jammed with many more CL bozos who could barely play their instruments, or on the flipside, great players who weren't much fun to hang out with.
- ott0bot
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I'd scope out the Cinnabn at your local mall.
seriously though....It's a bit like dating. Go to alot of local shows and try to meet the musicians in bands you actualy like. Buy the guys or gals some drinks and get chummy, make contact through email or social media. See if somewhere down the road they'd like to collaborate. Who knows...maybe they aren't happy with the band they're in and are looking for a change.
seriously though....It's a bit like dating. Go to alot of local shows and try to meet the musicians in bands you actualy like. Buy the guys or gals some drinks and get chummy, make contact through email or social media. See if somewhere down the road they'd like to collaborate. Who knows...maybe they aren't happy with the band they're in and are looking for a change.
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This is the answer. Everything else is a waste of time. If you don't jump in and MAKE YOURSELF A PART of whatever scene you wanna be a part of, you'll just be a wallflower. Start meeting real human beings in person as soon as you possibly can.dfuruta wrote:Go to shows in the appropriate genres and talk to people.
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- Gregg Juke
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Yeah, the rest is all "gab," as George Harrison said.
Meeting possible bandmates that might form lasting bonds is hard enough. Add to that Internet posts, newspaper ads, flyers all over town-- the usual, and you just wind-up finding a lot of, ah, interesting characters. Cattle call auditions only work at the full-time, big money, pro-pro level, like if you're Aerosmith or American Idol. And look at the yocals that _still_ show-up to that show thinking they have "talent."
Meet people live, in-person, at the types of events that are part of the scene that you want to be in. Network. Get to know. Eventually, so-and-so might pass your number on, or pass a few numbers to you. Get to know good private music teachers that have good students. A lot of times, they are looking for a gig, and the teacher is looking to help get them one...
GJ
Meeting possible bandmates that might form lasting bonds is hard enough. Add to that Internet posts, newspaper ads, flyers all over town-- the usual, and you just wind-up finding a lot of, ah, interesting characters. Cattle call auditions only work at the full-time, big money, pro-pro level, like if you're Aerosmith or American Idol. And look at the yocals that _still_ show-up to that show thinking they have "talent."
Meet people live, in-person, at the types of events that are part of the scene that you want to be in. Network. Get to know. Eventually, so-and-so might pass your number on, or pass a few numbers to you. Get to know good private music teachers that have good students. A lot of times, they are looking for a gig, and the teacher is looking to help get them one...
GJ
I've put together a band on Craigslist & another through Villiage Voice classifieds. Not necessarily as simpatico as the band of friends I put together in college, but we didn't have to worry about finding a new drummer each time the bass player and I uuhhhhgg..."got back together."
Trying to put together a band through flyers/classifieds/craigslist is doable. You've got to do a little screening before you meet people, and you can't find yourself thinking that an uncomfortable audition is the worst thing in the world. It's like internet dating - it starts ugly, but it's a good way for a wallflower to meet a lot of people.
Schmoozing never worked that well for me. I met a lot of musicians and ended up having to pretend to like their terrible bands.
Trying to put together a band through flyers/classifieds/craigslist is doable. You've got to do a little screening before you meet people, and you can't find yourself thinking that an uncomfortable audition is the worst thing in the world. It's like internet dating - it starts ugly, but it's a good way for a wallflower to meet a lot of people.
Schmoozing never worked that well for me. I met a lot of musicians and ended up having to pretend to like their terrible bands.
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Back when I was still doing bands I used CL, but it wasn't much help. I'm an ambient and drone composer, and yet that didn't stop a flood from Van Halen cover folks and Southern Rock folks from contacting me.
This and many other reasons is why I'm in a mostly solo project now.
This and many other reasons is why I'm in a mostly solo project now.
There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. -John Cage
This is what's typically worked for me. I've never felt my chops were such that I could drop in and play with anyone, so context - including friendly faces - has always meant a lot to me.shithead wrote:I find that friends and friends-of-friends is the best route to go. At least that way they're somewhat vouched for.
Also - go back to grad school. Seriously - lots of frustrated musicians in grad school!
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To add to all the above:
I've been finding I meet good players since I went back to renting space at a rehearsal studio. You can listen through the door and audition them before even deciding to say hello.
Loitering around a good used instrument store could work too.
I've been finding I meet good players since I went back to renting space at a rehearsal studio. You can listen through the door and audition them before even deciding to say hello.
Loitering around a good used instrument store could work too.
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"Why does the Creator send me such knuckleheads?" - Sun Ra
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