Discussion on new albums, developing listening skills, critical listening to others' work, as well as TOMB members' MP3 links, online recording critiques
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Mark
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by Mark » Sun Oct 05, 2014 2:22 pm
Drums sound pretty good for a 57 and a D112
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j.harv
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by j.harv » Sun Feb 22, 2015 4:48 pm
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j.harv
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by j.harv » Sun Sep 27, 2015 12:29 pm
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j.harv
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by j.harv » Fri Nov 06, 2015 4:33 am
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j.harv
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by j.harv » Wed Mar 02, 2016 5:21 pm
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j.harv
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by j.harv » Sat Apr 23, 2016 3:39 pm
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Mark
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by Mark » Sat Apr 23, 2016 4:39 pm
You're doing something different with the drums. The cymbals are crisper and seem to have more high end content.
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j.harv
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by j.harv » Sat Apr 23, 2016 4:48 pm
Mark wrote:You're doing something different with the drums. The cymbals are crisper and seem to have more high end content.
I tried something different this time yes.
I only use a 2 mic set up on the kit. Usually an SM58 on the overhead. This time I used an apex 210 ribbon mic. But I didn't put it over the kit like I usually do. I put it behind me just peeking over my left shoulder(I play drums lefty). Im actually liking this sound a bit better and will try it more often. All I got to do now is actually learn how to play better:)
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Mark
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by Mark » Sat Apr 23, 2016 5:09 pm
Yeah, the ribbon mic's sensitivity is probably helping a lot. Moving coil mics can often have a hard time with anything above 5K to 7K (depending on the lightness of the diaphragm assembly).
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j.harv
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by j.harv » Sat Jun 04, 2016 5:37 pm
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j.harv
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by j.harv » Thu Jun 30, 2016 4:29 pm
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by j.harv » Sat Oct 22, 2016 5:58 pm
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