Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY
Moderators: drumsound, tomb
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Injured Ear
- alignin' 24-trk
- Posts: 65
- Joined: Wed Dec 07, 2005 10:14 pm
- Location: Western NY
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by Injured Ear » Wed Mar 19, 2014 6:46 pm
+1 on the use of 58 and M88 type mics. I have personally had good results with a Shure Beta 87, in that it's a little less "closed off" sounding than most dynamic mics. There are better sounding vocal mics out there, but I find that the Beta 87 gives me the best bleed vs sound quality ratio.
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Matt C.
- suffering 'studio suck'
- Posts: 434
- Joined: Wed Apr 15, 2009 9:43 am
- Location: saint paul, mn
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by Matt C. » Tue Mar 25, 2014 5:36 pm
well, I probably won't get around to building any GOBOs until the weather is warmer (maybe I'll try to post a photo essay of the process), but I tried my M88 for scratch vocals last weekend and it was great. singer was only 3 feet away from the drums and the bleed was still manageable.
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mrc
- re-cappin' neve
- Posts: 620
- Joined: Sun Nov 23, 2003 5:07 pm
- Location: Dead Center, Bible Belt, USA
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by mrc » Thu Sep 11, 2014 5:27 pm
If you have a control room, put the singer in there. The band can face the glass and have eye contact. Then you can retrack a final vocal later. Then Harmonies
Edit:
In a bedio, a pair of video feeds, screens, Mic/Headphone extension cords and another room for the singer would work.
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