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I've never come across a mixer where the master fader affects the aux sends. What are you currently using? i do not use the aux sends always, so i may be wrong here a bit. but i am positive for instance that on my smaller yamaha it kills the control room sends and what not. i guess i am just used t...

winky dinglehoffer wrote: ↑

Sun Oct 11, 2020 5:44 am

A Speck SSM is about the size of a mACKIE 1604 and is very flexible. But that might be bigger than you'd want.

i like it. looks similar to a apb monitor mixer i had at one time. just a bit big i think. gonna hunt around.

What mixer do you have that cuts the sends when the master is lowered? That's not a common thing, at least in analog mixers. (of course, i built my own 4 channel mixer to run in-ears when i couldn't find a small mixer with two prefade sends.) i am using a small yamaha mg10. i also have some small m...

i am trying to find a mixer on the smaller side. something for a bunch of synths. anyways. almost all small mixers i have run across have like literally everything tied to the master fader. so for instance on most pro or high end audio consoles for live and what not, if you bring the master fader do...

tons of great info. thank you!

thanks for the info drummerman. lots of good advice.

currently, im giving him stuff that i make, i think the plan is to go back later after he fits it all in, and im gonna edit what i made to have more impact in the film. subtle stuff. who knows though. ill keep you all posted on how things go.

I'm Painting Again wrote:learn to be a fan of horror music soundtracks..watch the classic Italian stuff, Carpenter, etc.

talk to people who are really into it and listen to them..

watch berberian sound studio

I wish I was working on horror movie soundtracks rn

i love horror movies. no homework needed

im doing this project in ableton, so stretching and warping things is pretty easy. "And stick with 48kHz, 24 bit, 29.97 drop frame" i am strictly audio at this point. not sure what he is going to give me as far a first draft or anything. i have always recorded 44100 24 bit. should i do this differen...

i think at this point, i convinced him to do what he wants with what i sent him, and he is going to take notes, and we can go from there. he digs what i made today, so that is good.

video files are huge. ugh.

nice! i met charlie once. a real nice dude.

ill poke around there. it looks like everyone just talks about strings and shit. barf. boring. ha! jk

i hate gearslutz for some reason. not policed for douchebags like here is. but ill check it out. im gonna drill him more on how he works. im setting everything up i work on so revisions are easy. i guess we will see how it goes. he works fast, so, yeah. just winging it. ill keep you posted here and ...

hey hey. i just recently started working on doing the soundtrack for a local low budget horror film. was curious if anyone else here does stuff of this sort. i have questions. ha. im mostly curious about how everyone does what they do. not really the gear or anything, but like i guess how they appro...

i would just get a wired mic with a on off switch and call it a day grab my master buss and turn it down with my right hand, and grab mic with my left. repeat in reverse and keep jamming

i am just a bit confused. are you just looking for a way to turn everything down so you can talk over the mic? or am i missing something? i do the same sort of stuff as you do, so im just trying to figure out exactly what your end game is here (ideal situation)

sound guy here. my only advice - advance your shows. figure out what you are walking into before you get there

and buy DIs with pads