Message Board

E-money wrote:The one with the speakers on the steps on the cover?

I'm starting to jones.

I'm also waiting.


TJ

UXB wrote:Dave Collins has been a guy great, wonderful engineer, and surprisingly reasonable given his pedigree.

Dave Collins:
http://www.collinsaudio.com/

I agree! Dave does excellent work.

Coyote is a great place to work!


TJ

JRSGodfrey wrote:Coyote in B'klyn.

http://www.coyoterecording.com/gear.html

From my experience, no certification or degree of any kind will land you a job in this industry. What will land you a job is experience, connections and a portfolio of past projects. The thing about protools is that it is a very intuitive program. It is not complex like Logic. If you read the manua...

Everyone seems to think it is rockin, but I havent liked it ever. Maybe snare top with something good, then a shell mic with an omni on someone that doesnt bash the crap out of the hat, but not just as a "solution" for bad tuning or a crappy drum(crappy crappy, not good crappy). FWIW, I've only mic...

I dont know what kind of console that was mixed on. It was mixed at sunset I think. What was available there in 1970/71? I think DeMideo APIs. I know my APIs and 1176s sound GREAT doing this. So do Neves. Chris Garges Charlotte, NC Sunset Sound started in 1962. Currently: Studio 1 and Studio 3 are ...

I usually use a KM84 or SM81. If it's Jazz usually 451.
It's most important for the drummer to mix their set!