Search found 21 matches
- Sat Jul 31, 2010 2:03 pm
- Forum: Creative Recording
- Topic: Good Synth DI...Avalon U5, UA 710/610, Radial, other?
- Replies: 12
- Views: 6597
None of the boxes you mentioned are really designed to add anything, barring maybe the UA. For the price of a 1073 equivalent, you could buy a silverface Fender Super Reverb, jack your Voyager into it and mike with an SM57. Four ten in. speakers will get you some nice bloom. Add an eight-ohm 2X10 ba...
- Sat Jul 31, 2010 1:53 pm
- Forum: Creative Recording
- Topic: Bass compressor pedals
- Replies: 17
- Views: 4621
- Sat Jul 31, 2010 1:45 pm
- Forum: Creative Recording
- Topic: Practice space drum set recomendations
- Replies: 11
- Views: 3493
Two drummers sharing one drumkit is like you sharing your girlfriend. Good luck with that... Pffft; they're drums, we hit them. (the sound is more about the heads and the tuning than the shells) In this application the determining factor is durability; drummers that are picky about their sound can ...
- Sat Jul 31, 2010 1:25 pm
- Forum: Tape Op Magazine
- Topic: July/August issue - Anyone on the west coast recieve it yet?
- Replies: 13
- Views: 7073
- Sat Jul 31, 2010 1:18 pm
- Forum: Tape Op Magazine
- Topic: Ansel Adams
- Replies: 13
- Views: 7872
I myself have taken pictures of mountains and they are very forgettable. I bet it was because I was in a moving vehicle with a bunch of musicians. Yeah, I was thinking that I took a bit of an issue with your profs comments about the amazing scenery that Ansel Adams photographed...implying that anyo...
- Thu Sep 10, 2009 9:41 pm
- Forum: Creative Recording
- Topic: Some general ramblings about aesthetics and late 60s pop
- Replies: 62
- Views: 20026
- Tue Sep 08, 2009 10:47 am
- Forum: Creative Recording
- Topic: Hardware Delay for Vocals
- Replies: 27
- Views: 10872
- Tue Sep 08, 2009 10:42 am
- Forum: Creative Recording
- Topic: Slightly embarassed to ask this but I'm new to the game.
- Replies: 14
- Views: 4460
Years ago, I had a clarinet student who was "rhythmically challenged." We startred out with tapping her foot to a metronome. When she could do that, I started asking her simple questions (like "what did you eat for breakfast") while she kept tapping. When she could answer questions and keep the foo...
- Sun Sep 06, 2009 7:46 pm
- Forum: Creative Recording
- Topic: diff between leveling compressor and standard compressor
- Replies: 17
- Views: 5269
Sorry to be a PITA about this, but vari mu actually means "variable gain" and refers to the amplifier stage in the compressor/leveling amp and how that unit would produce a gain change by varying the gain of the amplifier based on any number of detector schemes. vari mu compressors exhibit a variab...
- Sun Sep 06, 2009 7:32 pm
- Forum: Creative Recording
- Topic: ?Mono? what does it tell us, and how much should it matter?
- Replies: 45
- Views: 13018
- Sun Sep 06, 2009 7:31 pm
- Forum: Creative Recording
- Topic: Crotch Mic
- Replies: 18
- Views: 13814
- Sat Sep 05, 2009 8:43 pm
- Forum: Creative Recording
- Topic: diff between leveling compressor and standard compressor
- Replies: 17
- Views: 5269
Joel is exactly right. Vari-Mu means the compression ratio is not a constant, but level dependent, as in the classic Teletronix LA2A and some others. (LA for leveling amp, natch) However, some modern vari-mu designs offer more control, and are not, strictly speaking, leveling amps, or not only level...
- Sat Sep 05, 2009 5:48 pm
- Forum: Creative Recording
- Topic: Hardware Delay for Vocals
- Replies: 27
- Views: 10872
- Sat Sep 05, 2009 2:10 pm
- Forum: Creative Recording
- Topic: I just finished a record without condenser mics.
- Replies: 48
- Views: 15022
Yeah, the Sufjan Stevens TO article mentioned that one of his records was all SM57, but seriously, that mic can surprise you when connected to a really good preamp, like you'd use for a ribbon. I expect I could make a pretty decent record using nothing else; might try it one day, but I'd sure miss h...
- Sat Sep 05, 2009 12:52 pm
- Forum: Creative Recording
- Topic: Some general ramblings about aesthetics and late 60s pop
- Replies: 62
- Views: 20026
If the question is, "Why can't we get that sound today?", I'd suggest it's down to three factors: (leaving aside the music and arrangement) the gear the technique the musicians Most of the gear those records were made with/on still exists, so we can toss that out as the determining factor as soon as...