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MoreSpaceEcho wrote: ↑

Sat Jul 27, 2019 9:16 am

Probably not any more now that they went subscription.

I got pretty sweet offers for the new batch and a nice, fat coupon to use. possibly could change, but i suppose i'm still hopeful.

i have an awful lot of dirt plugins, if you want the bx saturator, i'd gladly sell to you for cheap. hit me up with a PM. that said, soundtoys stuff is fantastic - whole bundle is on sale now for cheap and well worth it. i bought decapitator many years ago at full price and do not regret it at all -...

i really like the brianworx digital eq V3. easy to dial in and the band solo can help find problems quick. other handy things - M/S option, stereo spreading, mono maker for the low end, dynamic band isn't great, but can be helpful sometimes. also pretty light on CPU for color, i honestly still like ...

I have a JLM Audio 99v 500 series pre that is pretty damn clean/fast. They make a DIY kit called Baby Animal that got a pretty good review in TapeOp a while back. I believe it's similar to the J99 design though missing a gain stage - but I could be wrong? pretty damn cheap, also.

AT4050 - I have too many mics, and too many of these, especially. this works great, but has some cosmetic wear - paint coming off around XLR connector and base of the body of the mic, and a small dent or two in the windscreen. pattern selector labels are starting to rub off also. mic works great wit...

i've been using those Vic Firth SIH1s for a good long time. they sound pretty good and achieve excellent isolation. they aren't the most comfortable and they break all the time (this has been rectified for me by always buying the extended warranty - Vic Firth's is only 90 days and they seem reluctan...

i've done the different amps/mics panned hard but it never really gets me there. i hope to someday crack this nut. i like a short delay on one side for tracking, but sounds too phasey to my ear to actually use in a mix. i did see Albini do this on a session I got to attend: the guitarist went throug...

sadly, no garage. and i'm in a very dense part of town - south philly. this house is unique though, as it's free standing. can prob end up with a 300ish sq ft drum room and 200ish sq ft dead/amp room. not too bad, but not the 1000 sq ft room i've had for the last 12 years

ceiling is about 8-8.5 ft high. not too rough, but yeah, the quotes i'm getting are crazy. i think i'm gonna just move the furnace and water heater and get volume that way. not idea, but i think i can get a decent sized live room out of it

yeah, i'm thinking use the rest of the space as a chamber might be cool.

as to neighbors, i'm soundproofing properly and the performance spaces will all be in the basement. it's a decent sized house, and fortunately stand alone - no shared walls (unusual for south philly).

anyone go through this change? i'm pretty over my sub-divided warehouse space and am looking to move the studio to a house i just bought. basement is a decent size - around 500 sq ft, but far smaller than my current live room - 1000 sq ft with 11 ft ceilings. contemplating some crazy things - baseme...

a pair of Chandler Little Devil mic pres - loving them so far. only used on two sessions - guitars last weekend, kick and guitar this weekend. Haven't noticed the "bright" switch doing much, but maybe the feedback knob being cranked negates the boost a bit? Beyerdynamic D71c kick mic. pretty damn cl...

only thing i can think of worth a damn at that price point would be the electro harmonix 12AY7 pre. there are two on reverb now for $200 or less. just don't use the 1/4" output.

curious how this compares to a Beta 91. I have tried many a kick drum mics and have settled for the Beta 91 mostly these days, but the top end always feels a little plastic-y to me. anyone compared this Beyer offering?

i have one stock unit and another with BB on channels 3&4. i use the stock channels, typically - often ribbon mic duty for overheads and guitars.
also used for general quiet things or if i'm out of other options/feeling lazy. burr brown channels i use for bottom tom mics, usually.