SM7 into a DW Fearn mic pre.straight to tape.PeterR wrote:
Hey penrithmatt,
What kind of vocal mic was used on the new RL record? Great job by the way.. I'm loving "Can I Stay."
Search found 317 matches
- Wed Jul 12, 2006 10:21 pm
- Forum: Creative Recording
- Topic: kick drumsounds that are awesome
- Replies: 143
- Views: 50413
- Mon Jul 10, 2006 10:43 am
- Forum: Creative Recording
- Topic: kick drumsounds that are awesome
- Replies: 143
- Views: 50413
anybody know what kind of mics or what kind of mic placement was used on that Ray Lamontagne album i recorded the new one,drums were done the same way on the last record. 3 mics Coles over the snare,about three feet above the centre of it. coles by the floor tom,looking at the centre of the snare,s...
- Fri Jun 23, 2006 1:56 pm
- Forum: Creative Recording
- Topic: "No control room." Looking for tips on getting sou
- Replies: 20
- Views: 7292
here,at Allaire,the Neve Room doesn't have a control room.never really found it much of a problem.i mean,it takes a little bit of getting used to,but.........i have some Alan Smart DI's that i use to run long lines to guitar and bass amps in other rooms,drums in a hallway.........i wear headphones s...
- Fri Jun 23, 2006 1:50 pm
- Forum: Creative Recording
- Topic: Best Way to print DAW tracks to 2" tape
- Replies: 11
- Views: 3322
i wouldn't bother........tracking to tape and then duming in the computer is cool,but the other way round.......bit pointless really........i'd be more inclined to tell you to stem yer mix out onto a console,mix in a "traditional" way to a well mantained and aligned 1/2" or 1/4" deck.you'll get more...
- Fri Jun 23, 2006 1:46 pm
- Forum: Creative Recording
- Topic: Career Advice?
- Replies: 18
- Views: 5563
i'd just give up.....or carry on as you are.........in the last ten years i've had to "sit in" on sessions run by a couple of guys that teach music technology at some very established schools,one in Boston and one in New York.........both occasions have been a fucking nightmare,only adding to,and co...
- Wed Apr 26, 2006 1:41 pm
- Forum: Creative Recording
- Topic: Your mix, step by step.
- Replies: 40
- Views: 12243
push up the vocal fader first. push up kick drum fader second push up bass amp fader third. then fit everything else in around that.no real hard or fast way,everything is different every time.the only constant being that,if the song has a vocal then that's probably the most important thing,everythin...
- Wed Apr 26, 2006 1:32 pm
- Forum: Tape Op Magazine
- Topic: Ken Scott
- Replies: 2
- Views: 3132
- Fri Nov 04, 2005 1:15 pm
- Forum: Creative Recording
- Topic: Acoustic Guitar Techniques
- Replies: 43
- Views: 20326
depends on what purpose the guitar track has to serve.i mean,is it a rhythm track in a dense mix with loads of drums,bass and electric guitars??is it finger picking?? is it gonna be just guitar?? anyway,i'd think about that for a minute before anything else....and then i'd probably do what i always ...
- Thu Nov 03, 2005 12:54 pm
- Forum: Creative Recording
- Topic: How to "thicken" a thin vocal?
- Replies: 37
- Views: 25065
hello everyone I like to mult the main vocal into three parts L-C-R pitch the left up a few cents with an indicernable amount of delay on it pitch the right down a few cents """""""" blend your stereo tracks in underneath the main vox basically what Joel said minus the whole "professional" angle :D...
- Thu Nov 03, 2005 12:52 pm
- Forum: Creative Recording
- Topic: Music
- Replies: 33
- Views: 19616
Bo Diddley's exciting, and it's one fucking chord half the time. The problem with most of the stuff listed here is lack of rock skills and bad singing. I'm not directing this at randy, but, if your argument is 'everything's been done', you miss the point: heart. Nobody puts their ass on the line, e...
- Thu Nov 03, 2005 12:51 pm
- Forum: Creative Recording
- Topic: Dealing with band conflicts
- Replies: 5
- Views: 4733
i generally try and stay out of that shit.if they have issues amongst themselves when they come in to record with you...wel,that has nothing to do with you,so.......i mean,if they start duking it out in your control room you might wanna step in,but otherwise i'd be inclined to leave them alone to de...
- Thu Nov 03, 2005 10:36 am
- Forum: Creative Recording
- Topic: drums; one @ a time?
- Replies: 41
- Views: 14715
what they said......... seriously though,i've been through this situation with a pretty well known band,who's percussionist decided that he wanted to play a trap kit.for the first time.during the making of the record......it was a nightmare.he couldn't play the song down,so we went for the one drum ...
- Thu Nov 03, 2005 8:30 am
- Forum: Creative Recording
- Topic: Fashion Faux Paus
- Replies: 21
- Views: 12516
- Wed Nov 02, 2005 4:52 pm
- Forum: Tape Op Message Board (TOMB)
- Topic: pop ups
- Replies: 8
- Views: 6291
- Wed Nov 02, 2005 3:22 pm
- Forum: Creative Recording
- Topic: recording school, smeshording shul
- Replies: 35
- Views: 17808
i'm sorry man,but i think recording school is the biggest waste of money. no disrespect to some of the "fine" institutions out there,i'm sure some of what they teach you is usefull,the real thing is so very different... having worked in studios in the Uk and US for the last 12 years,starting straigh...