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I have used the Bedini BASE and the Behringer Edison side by side and I can confirm that the layout of the buttons and the effects on the signal on/w the Edison is classic Behringer's attempt at copying the BASE. The Bedini sounds much richer and retains more low end information and definitely has t...

it's not the audio cord, it's the glaring lack of audio pebbles...

https://www.machinadynamica.com/machina31.htm

So, my beloved ADAM S3A's seem to be sounding somewhat more harsh than I remember, the low end seems different, and the speakers are just more fatigue inducing than they used to be. I'm starting to think the caps may be going bad. Does anyone have any good resources on how to recap properly, obvious...

Hey everyone... to be (not so) brief, I used to work at one of the major multi-room studios that caters to major label top 100 work in the US. You know the 20hr days, no breaks, the grind grind grind. Over a decade of that and I got really good, I won't deny that, but I felt burnt and quit. Took tim...

Thanks for the great replies. The methodical approach is exactly what I wish I could do in sessions if I had the time. When I was working in the more expensive studios as an employee engineer, everything was rush rush rush. 3hrs to get a track done, please! So that's why I asked because I wish I cou...

Here's something that I've been pondering for a long time. In multi-mic sessions, tracking engineers spend a long time perfecting mic choice and mic placement not only for the best tone, for isolation and capturing the right kind of bleed, but also for maximum phase coherence. We want the bleed we d...