It'd be worthwhile recapping the power supply on gear this old.
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PORNSTARS VIXEN
Search found 469 matches
- Sat Sep 22, 2007 7:56 pm
- Forum: Creative Recording
- Topic: My TEAC 80-8 is busted.
- Replies: 11
- Views: 3720
- Wed Sep 19, 2007 4:18 pm
- Forum: Creative Recording
- Topic: [RANT] I think I'm losing clients because of my gear
- Replies: 46
- Views: 16208
I've run into this, too. Frankly, many people see the cost of having someone do work for them, and decide they're better off buying the stuff themselves. It's a fact of life. Only a couple years later, I hear stuff like "This stuff is just a bitch to figure out!!!" and "I just can't seem to get good...
- Sat Sep 15, 2007 9:53 pm
- Forum: Creative Recording
- Topic: How do I deal with deaf producers and musicians?
- Replies: 31
- Views: 9743
Re: How do I deal with deaf producers and musicians?
If you can't hear him, because he insists upon listening at VERY LOUD volumes, that's his fault, not yours. As the engineer in charge of that session, I take anything that doesn't go right as my fault. But it's kind of weird recording someone who works for your boss who technically is your boss. I ...
- Sat Sep 15, 2007 2:33 pm
- Forum: Creative Recording
- Topic: 2ND Mic Pre Reccommendation?
- Replies: 8
- Views: 2439
- Sat Sep 15, 2007 2:32 pm
- Forum: Creative Recording
- Topic: What's mids?
- Replies: 8
- Views: 2621
I think of mids as centered around 600 or 700 Hz, and ranging from 400 to 2KHz or so.
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Launch Box
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Launch Box
- Fri Sep 14, 2007 10:29 am
- Forum: Creative Recording
- Topic: Recording music you don't like
- Replies: 23
- Views: 6905
If I wanted to do something I hate for money, I'd go apply at Walmart for a cashier job. If I can't stand the music, I won't be able to do justice to my clients' art, no matter how positive my attitude. Plus, hearing the same terrible songs 500 or 600 times during the course of tracking / mixing and...
- Thu Sep 13, 2007 5:07 pm
- Forum: Creative Recording
- Topic: What's been the hardest thing to learn?
- Replies: 29
- Views: 7186
The most important thing I've ever learned is that in 100 years me and everyone who ever knew me will be dead and forgotten, so there is no point in getting too upset about the small stuff...
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MERCEDES-BENZ G-CLASS HISTORY
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MERCEDES-BENZ G-CLASS HISTORY
- Thu Sep 13, 2007 3:31 pm
- Forum: Creative Recording
- Topic: slew rate of analog tape?
- Replies: 50
- Views: 10877
Similar to the square wave, wherever the sine voltage is changing faster than the slew rate would allow it to change, the voltage rise would be slowed down, compared to what it would have done had there been an adequate slew rate. In terms of audio fidelity measurements, this would show up as an inc...
- Wed Sep 12, 2007 5:38 pm
- Forum: Creative Recording
- Topic: slew rate of analog tape?
- Replies: 50
- Views: 10877
Interesting. I'm not sure however that I understand slew rate limiting as you described it. I have never heard the term "slew rate limiting" before, but I have heard the term "slew rate distortion." >>> Yep, same thing, different words. I do not know if they are the same thing. Here's what I do kno...
- Wed Sep 12, 2007 5:08 pm
- Forum: Creative Recording
- Topic: slew rate of analog tape?
- Replies: 50
- Views: 10877
Now, back to your original question: The best way to see what the analog and the digital recorders do with slew rate is to record a high quality 1 KHz square wave with peak levels at -20, -10 and 0 dB FS. The recorded digital signal can be examined by zooming in on the waveform. The tape signal can ...
- Wed Sep 12, 2007 4:39 pm
- Forum: Creative Recording
- Topic: slew rate of analog tape?
- Replies: 50
- Views: 10877
Point taken, Brad. Maybe some of this has already been pointed out in this discussion, but I'll kick in my 2 cents.. Some of this might seem pendantic or obvious, but it's good to start with a firm foundation. The slew rate of a sine wave = 2 * pi * f * Vpk The unit is typically in Volts per uSecond...
- Wed Sep 12, 2007 10:32 am
- Forum: Creative Recording
- Topic: slew rate of analog tape?
- Replies: 50
- Views: 10877
I record and mix records all the time. I really like my job. I have learned over the years what tool to use for a given result I am hoping to achieve. I stacked up many, many of these "response/outcome" type scenarios as to inform my choices. Every single one of these choices has been based on expe...
- Thu Sep 06, 2007 5:38 pm
- Forum: Creative Recording
- Topic: EXPLAIN THIS: String of Fire
- Replies: 22
- Views: 5212
I heard when Keith Richards nearly got electrocuted, his strings pretty much melted/exploded, I assume your friend had his guitar plugged into a powered-up amp, the stray bendy bouncy string could have bumped into another amp's chassis, if one of these amps had a 2-prong cord and a failed "death ca...
- Thu Sep 06, 2007 5:15 pm
- Forum: Creative Recording
- Topic: track w/o compression?
- Replies: 41
- Views: 10597
What you're doing, perhaps without knowing it, is making an audiophile record. There's a niche industry out there of musicians, studios, and labels, who make uncompressed records with the dynamics preserved that they market to people like me with high-end stereos. I repeat, what you're attempting t...
- Mon Sep 03, 2007 3:02 pm
- Forum: Creative Recording
- Topic: tube amp problem - weird nasty distortion
- Replies: 19
- Views: 7256
Frankly, your symptoms sound to me like you have some bad capacitors. If it's really a 1970s amp, it'll be due for a re-capping anyway. And the parts are amazingly cheap lately - - me & a friend just recapped an Allen & Heath 16 channel board, and the parts (about 300 capacitors of various values) r...