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senn. e602. lots of low end action.

i suppose your use for this tuner matters. is it for in studio, or backstage (side) as a guitar tech, or are you playing the gig and tuning your own axe? strobes are great, no doubt about it. accurate, hells yes, but fast on the fly they are not. stompbox tu-2 for the win in a live situation, though...

buh buh behringer.


cheaper to replace than fix. crackle = bad

try wiggling the attack knob and see if it changes things much, slow the attack all the way down as it can be an easy distortion generator on a fast setting with low-freq info, but methinks it's just the old behringer curse...

reload 'em.

worth every penny to do so. you'll have a set of monitors that you may nopt love, but that are still a de facto standard and very useful.

i guess i'll throw my litle 'sleeper' in the ring. got it for $400 on ebay a couple of years ago. McCurdy PE2600. 6 channel discrete box of love...

i'll give you five bucks. and a ride to 7-11 for a sparks...

hit me chief!

colby at builtbydix.com

Bought Pro Tools HD the other day. First ProTools rig in the studio actually. Hell when I started there 10+ years ago there was still a 1" 16 and and ADAT. I brought my computer with me with Sound Designer to introduce that whole aspect and we just fought it forever. But I think it's time. Not just ...

treble king wrote: When you cross your eyes, you can see a sailboat.

Wow, it's a schooner!

word word. cheers to studio2roll for defending his quesion with intellegence and not just some babble that a sweetwater rep could quote you from a one-sheet. 96 is great, no doubt, but not always economical, and even though it's easy to point at something like the ADAT revoluton as being a lame time...

or get this:
Radial DM1

i've got a six channel mccurdy discrete mixer that's pretty sick... i would put the pres closer to API than neve in my ears, punchy as hell but still with plenty of clarity. that mxp looks cool enough for short money, so long as nobody from here poaches your listing, it'l go for less than a new mack...

it's neither. an ear is kindof 'half' omni, as it picks up sound equally around a 180 degree plane. hemispherical i think is what it's called technically. so a boundary mic or something like that is closest technically, or an omni that is baffled to some degree will be dandy. most dummy heads use an...

well, i haven't been the message board dick in a while so...

why the hell are you using an ADAT?

flame on.

true enough. but the good fellows over at royer returned my 121 with a nifty little velvet sack to toss it in. we've been incredibly nice to the mics, going so far at to slip them into the original plasitc sleeve that they arrived in some 7 years ago now before resting them in thier happy wooden hom...