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i got a marshall plexi -67 myself with a matching 4x12 angled cab with greenbacks. spent too much on the bloody valves but since it was a quartet of old never used mullard el34's how can one say no... you know the difference between the plexi and the older jtm/newer super lead marshall's lie in the ...

of course the phase won't be the same amongst the different instruments (how could it?) but the time of arrival for the room mics will be in phase since the instruments are lined up to the same distance (wall of sound). the phase is thus very natural. artificial verb is never the same. using cardioi...

a trick glyn johns taught me and he recorded some pretty loud bands (ever heard a marshall plexi on full balst? that's loud...): set the gear up as if it was a live gig - drums in the middle, bass left (or right), guitar on the opposite. use baffles between instruments. line 'em all up so the phase ...

cheers guys,

i'll need an trs/phono adaptor for the job... if i remember right the revox has got phono in/outputs... and jack inputs for unbalanced mics right?

hello,
i'm thinking of bying a REVOX B77 for mastering/compressing purposes. any ideas how to hook it up to PT 001 and will there be any impedance mismatch?

cheers,
nortonmanx