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I need a dbx 160s recall sheet. thanks

look out for pre-amps that say class-A (like under a $1000)) all they, use is a class-A buffer stage, but not true class-A oh and you can have a circuit that uses two transistors (one for the high and one for the low part of the wave) that is class-A. And I think class AB (in tube amps) run in class...

as far as selling the ssl for a api, we need to work right now. this console has been good for us (60,000,000 copies sold of this desk) but I might trade our 4000 for a old api with graphics, those look cool and i,m a big fan of the 2025's but i'll try moving the supply, and we are getting the 550a'...

I have some 560's and 550b's brand new and the550b's are noisey I have tried lifting the ground, but it didn't help, its being pached into a 8000g insert and is going tru some other non-song fixing fancy neve or some shit but it dont matter what i do can somebody help or atleast give some lazy smart...

yep it is an 827 my bad. could i get more cow bell?
your little picture is the best fuckin' thing i have ever seen.

the (earth works) tc30k can put out 9 volts at 9 hz is that beefy?
and the ntk or ribbons if your really cool.

walter is 100% right, why is the standard of audio going down instead of up like mpee3's and major labels putting out crappy sounding records that were done on 001's and adat's and others shity sounding gear instead of paying for it to be done right at a real studio. don't get me wrong we own a 001 ...

what if the band sounds like melt banana, and jeff listens to wham? I'm shure jeff could help a lot of people, especially if the band whants to "make it" and jeff works in the mtv world of high profit music, but hell maybe jeff know's what everybody wants to hear, and what every band wants to sound ...

so did the guy fix the stuff for free, if not you need to get down there and get it fixed, if it has allready been pressed then you need to get your money back, if 3 songs were messed up- divide the total amount paid by the number of songs on the record- lets say 5 song were tracked and mixed for $5...

dave is right as usual, or maybe mix the first song for half price
and everybody is happy

it should work, but what the last cat said was right, you might have the ins and out backwards. some consoles use the tip as a send some use the ring, if none of this works plug the output of what ever device your using into the comp and the output of the comp into the mixer or whatever your using. ...

lud, you don't have to send me any money, I'll tell you to quit music now! for free! you sound like you might make a better fry cook! Jeff who have you worked with or "helped", any bands that any of us have heard of? and what exactlly did you do on any of these albums, I'll give you alot more than $...

with a 57 or 58 its all about the pre-amp, I think you could do a whole
record with 57's and maybe a couple good condenser's for overheads
and acoustic stuff.

the L2 works good to pump up crappy 4-track stuff and speech but I would not use it on a real project. it brings up low level crap and if you work in the digital domain you could be making 8-bit audio as loud as everything else in the mix, and this makes people want to take out the cd and put in som...

it is nothing like 2 stereo mics like Blumlein, xy, or any of that cool stuff, like in terms of left and right, it just sounds cool, somtimes i fuck around with multing stuff and swapping phase on one and hard pan the 2, on just anything yes, it will go away in mono but who cares. if your like anyon...