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I use this a lot -

https://www.meldaproduction.com/MAutoAlign

works really well.

some interesting info here:

loudnesspenalty.com

lost of good thoughts here ... keep em coming! a few more details: we didn't use the Junos built in chorus as it's super hissy... we mostly tracked through my strymon Decco pedal to add modulation and we did do that on most songs so there's already chorus happening.. I think my current issue is mayb...

think gooey and dark stuff - juno 60 and nord electro mostly.

What phaser or choruses do you like to use for something like this?

For creating space, I’m sure you’ve tried sidechaining against other stuff, and also Trackspacer is useful for this. Assume I know nothing and tell me what kinds of things you like to sidechain (compressor i assume?) to I'm coming out of a more "real instruments" kind of production style and moving...

A.David.MacKinnon wrote: ↑

Fri Aug 16, 2019 12:04 pm

Are they drones or are they moving with the chords?

not really drones - this is a rock band - think Ryan Adams meets the Killers .. mostly moving with chords

I am mixing an album where there's a bit more pads happening then on most projects that I work on and we tried to track them with as much expression and dynamics as possible (in terms of part/volume/filter/tone) but I am still trying to make them a little less static in the mix. They are typically m...

I find myself using the Waves F6 a lot... with the RTA.

also like GEM by overloud

and Axis by Slyfly a lot.

I demo'd springs and thought it was ok - having owned several HW springs and loving the sound of good ones I am always hunting for one that feels real but it was underwhelming IMO. YOu can demo it to try though YMMV.

otherwise, plugin alliance always have great sales Probably not any more now that they went subscription. I just picked up this thing, sounds cool and is well worth the $30: https://www.audiothing.net/effects/valves/ their space echo is great too. as is their plug in "reels" - i love this company

Been thinking about this a lot lately... I think I do my best work when the artist isn't here (and generally that's how most mixing happens now). the other day the artist was here and i was so focussed on attending to his thoughts about the song that I wasn't really listening like I would if he were...

I bought a Soyuz SU-013 Fet SDC a few months ago and LOVED IT. So I bought a second and have been trying them on everything... piano, acoustic guitar, mandolin, banjo, percussion, drum OH and rooms (and snare with the pad)... even did some pretty great sounding vocals on em. The only thing they aren...

It always has surprised me that most bands or artists don't take 2 minute to talk with the sound guy and give him a heads up on their vibe and what they would like prominent or what fx they like/hate.... and then they are disappointed with the results... these sound guys are not psychics...

I had one of those coleman plastic ones for about 6 months (while i couldn't use my board) and it worked great. I think it would have lasted a long time...

https://www.sweetwater.com/store/detail ... e-selector

sounds like my ludwig supraphonic to me... very bright snare.