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You should also consider isolating your ground to the audio juice.

I dunno, my "boost 4k on every track by at least 30 dB" trick wouldn't be possible unless I EQ'd to tape...

Well, in straight HTML, it's easy enough to do something like this:

(assuming you have the music.mp3 file in the appropriate folder)
But my html is waaaaaay rusty.

Well, my day job is live sound, but it's the same company... same paycheck

Consider the Yamaha MSP 5's/ 10's... Small, powered, sound decent but not great. Cheap & decent enough to be standards. I've religously taken my pair everywhere I go.

It would be cool to hook his hand up to a little lever so when kids come up, you can lower it until they're *just* a bit too tall...

Of course, for that vintage NS10 "sound"

Actually, they do have their perks... Is it the tweeters that they stopped making???

Hooray! Anybody else have to run sound until 3 am? Blah. Not the best cover band ether.

I disagree. It's impossible to mix unless you are mixing to the 2 bus processing you intend to use. The separation of mixing and mastering is a throw back to older times - a process in desperate need of updating, considering the technologies currently available... Regardless of the title of the tra...

Well, I'm not a "real" mastering engineer (insofar as I also offer tracking & mixing), but I do offer the service. My biggest pet peeve is when people don't have simple things- like a song sequence- figured out. Grrrrrr. Stupid edits (naw, can't we just take out that late kick at mastering?). Clippe...

I'm telling you guys... D4 on snare, for rock at least, is just fucking PHAT!!!

Put me down on the "pro-RedCo" list. Called 'em up, asked some questions, and had my every whim catered to. The sales rep (Dave B. I think) even struck up some friendly conversation about how much Dave (Soundguy) smelled SOOOOOOO bad... (j/k!) Anyway, every employer will accidentally hire a bad appl...

D1-D4: a nice set of conveniently sized mics designed for drum use. Work fantastic in live environments, and average (at very worst) results in the studio. Having used them exclusively on drums (except a D4 on vocals: nice, but not the one), I'd have to say that the worst part about them is the drum...

If you're reeeeeealy interrested (or even if you're not), I very highly recommend Ken Pohlman's The Principals of Digital Audio. Great book. Also, you can ask for your BLER reports from the mfg plant. They're quite revealing.

You're proabably safe with just about anything... I've had great results from Echo's stuff (with a little tweaking). Find a card that fits your needs that's supported by your audio software.