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i have been using the sp 202 and 303 for years as my main samplers live.. i also have the 404 but i'm not sure i want to commit to it.. one thing i have to mention about the 303 is that it can glitch out on occasion, will start ramdomly playing loops back out of synch.. which is a total fucking nigh...

since the valve jr is a 5w amp you should go with the 30w speaker.. if you put the 80w in there your amp will be working harder to push a heavier speaker, possibly distorting more.. i've never played through a valve jr, but generally these little 5w amps are designed to be cranked open and tend to b...

Borrow a Steely Dan record from your uncle...

yeah he'll be better off without it.

i got my 16 channel allen & heath saber console from the eighties along with an otari 1/4" mx50 2 track deck for $200... ($100 each!) the otari needed work, i just cleaned the faders a bit on the saber and it was up and running.. will probably spend a little to have it serviced when i can live witho...

from thrift stores/garage sales 1968 fender bandmaster head $50 1974 fender twin reverb $89.99 80's crumar synth $50 1975 guild d25 dreadnought guitar $40 70's farfisa combo organ $100 60's ludwig wood snare $40 for a while there in the early 90's i was picking up old fenders for a song.. 66 super r...

don't know if it would fix impedence mismatches..
i've always heard that it's possible to turn a DI box around and use it backwards to reamp.. though i've never tried it myself (i have a reamp box)

hey whatever you get it will be an improvement from "mixing inside the box' i was lucky enough to pick up an allen and heath saber desk from the 80's.. for $100! it's made all the difference in the world to my rig.. well, that and the apogee rossetta 800.. so now i run 16 channels through my board o...

hey are you still under warranty?
could be an electronic problem rather than a blown driver, but no way for you to know without taking it apart and checking the speakers individually...

i love my rhythm ace. also the classic that you hear a lot in sly stone's stuff, and elsewhere is the maestro rhythm king.. you can get extra variations from these by playing two patterns at once or changing the rhythm 1/2 way through each pattern.

if you are fond of your dano, why not just keep it and wait until you can afford to pick up a gemini. they are still a bargain if you ask me. i have a late 60's gemini 11. it is great, has incredible percussive vibrato and nice reverb. no doubt more rugged than the dano.. but im sure the dano gives ...

BOSS TU-2. MINE IS STILL GOING AFTER 12 YEARS OF SERVICE. SURVIVED TOUR ABUSE. I HAD TO RESOLDER THE INPUT JACK TO THE PC BOARD A COUPLE OF TIMES, BUT THAT WAS NO BIG DEAL.

http://en.wikipedia.org/wiki/SL-1200 "The features that set the SL-1200 apart are: A magnetic (no wear), direct drive (low slip) mechanism High torque (1.5 kgf?cm or 150 mN?m), which means the platter will spin at the desired speed almost immediately (0.7 s to reach 33 ?⁄₃ RPM from stand...

I'VE USED A CROWN DC-300A SERIES 2 WITH NS-10'S AND A SUB FOR ABOUT 4 YEARS NOW. NO COMPLAINTS REALLY. NOT WHAT YOU WOULD CALL HI-FI BUT SOLID AND FAIRLY ACCURATE. CAN GET FATIGUING AFTER A FEW HOURS. IT'S A CLASSIC AMP, I WILL UPGRADE ONE DAY (PROBABLY TO BRYSTON) BUT I WILL ALWAYS KEEP MY DC3. BEE...

http://members.madasafish.com/~relf/rock.html "Rumours that Keith was electrocuted while playing his guitar in the bath were strongly denied by his family. The most likely scenario seems to be that he was rehearsing in the cellar of his house which had been converted into a studio, standing on an ol...

I recommend the technics 1200... some audiophiles might turn their noses up at this workhorse, but really you will have a piece of classic audio gear which will last you a lifetime. Can be had used for $250-$350. Has standard mount for cartridge and super strong direct drive motor. I currently own 6...