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well you'd be surprised how many classic rock solos were done thru the board and with tiny amps.. Page springs to mind as well as Brian May..

sounds from your desciptio nthat alot of your gear is a tab "dark"

personally id fire up the Jag and run it through a small amp like you thought.. or even direct into the board with a distortion pedal... it would definatly be a more cuttign thru the mix type of sound

i wouldnt cal llars a shit drummer.. though it seems alot of other people LOVE too. to me lars has got an idiosyncratic / unique style of drumming that is probably one of the most unique aspects of the band.. its certainly the hardest aspect to copy / replicate... and i agree i love kill em all as w...

yeah it's a bit of a bad look

one week all the papers are hyping CMW .. big spreads on the fest... the next week its all articles on what a wash out it was.

seems like a bit of an emperors new clothes situation

to further illustrate my point...

The Red Krayola once played live with a rhythm section consisting of a melting block of ice miced up and run thru the PA.

yeah i dont see how the recording chain has ANYTHING to do with the quality of a session like the 13th floor elevators these types of bands are all about VIBE VIBE VIBE and convesley ACID, POT, HASH, OPIUM bands like these were on a differant level / plane than most peeps going into the studio these...

i think one thing to bear in mind is that the first two sabbath records were pretty much done live off the floor... minimal overdubs ... but the tracks were certainly laid down live. after masters of reality the band started to splinter and for the most part tracks were recorded peacemeal with iommi...

i agree with the first poster i try and try to dig on bruce but it never works... ashbury is vageuly entertaining in a "wow i didnt know bruce used to be kinda prog" way... nebraska is kinda neat in mid fi way... but none of them really CONNECT to me at all i recently gave the new improved super rem...

it's always good to have more than one slide on hand to try out... i often like brass for some things, steel for others.

weird i just looked at my copy of the LP and it has an Asterix next to williamson's guitar credit but then no corresponding key to the asterix...

i love the pic o nthe inner sleeve

stop talking about traynor people!!

remember they are old shitty CANADIAN amps!!! beleive me you do not want them!! mine even gave out electrical shocks and only had a two prong cord!! that's no good!!

nothing to see here people...please move along

the record was recorded by Emmerick (i think) at the same time the beatles were working on the white album and floyd were doing saucerful... and the pretty things were there was well laying down Sf Sorrow (fuck!!!!!!) i remember reading that the zombies would specifically request that the studio be ...

the ironic appropriation of metal by "hipster" dorks can be directly traced to weezer i think.. but i digress Master Of Puppets is probably the ONLY record i loved at 13 that i still listen to at 31 trippy! the thing with alot of these HIPSTER metal acts (who shall remain nameless) is that they tend...

caveat

because this is focusrite's "cheap range" there's gonna be some haters ...

my buddy copped the vocalmaster and he digs it alot as well.

I've got the Trakmaster Pro Platinum (i think they need to make the name a bit longer!) doesnt have the spdif card installed... personally i love the thing... very nice neutral sound.. or engage the various adtional elements for furhter tweaking.. HPF mid scoop compressor i dont use the moitoring se...