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If you're bringing in a laptop, doesn't that solve your 2-bass track problems?

GJ

I want a Stylophone.

I just purchased a Shure M67 for a very nice price.

GJ

...Nice man!

The band sounds good (a few blatty trumpets), but you're 3-mic recording is superlative. Great balance. Sounds like a nice space. "Opus..." sounds particularly nice.

GJ

Aspirin, Ibuprofen, and Acetaminaphen.

GJ

I have acquired two Telefunken vintage mics; the D9A and the TD26. They are both tape-recorder mics with low output (these were low-end items, not U87 or 47 tube mics, but still decently built consumer Telefunkens). Both "small tuchel" connectors. Changed the TD26; will change the recently acquired ...

>>>>If it's just for fun then why not do both? A version with mono drums and a version with stereo drums. You don't have to be married to only one choice do you?<<<< Wouldn't that mean having to track it two different ways (track count/management) prior to mixdown, rather than just mixing it twice (...

Subatomic Pieces wrote: >>>> >>Gregg Juke wrote: As far as I know, the only time you _really_ have to mix bass and bass drum dead-center is for vinyl. The needle won't stay in the grooves otherwise.<< Dang... somebody should have told this to the artists of the 60s. They made a lot of apparently unp...

P.S.-- If you're mixing something that is coming out on vinyl, you may want to get in touch with Bob Olhsson, a mastering engineer in Nashville that used to mix and master for Motown in Detroit. He's extremely knowledgeable, and a very approachable guy. You could check the WOMB &/or the Gearslutz fo...

As far as I know, the only time you _really_ have to mix bass and bass drum dead-center is for vinyl. The needle won't stay in the grooves otherwise. I've never mixed for vinyl, but I've mastered a compilation from vinyl sources, and I'm old enough to have appeared on a vinyl LP...Different world. GJ

I can tell you what I'd do, but not everybody would do it that way (some people like mono drums, some people like stereo drums with a mono room or overhead, some people like stereo drums panned "audience perspective"). Actually, "audience perspective" might be just right for you, depending on what y...

That should have been "big" studio, not "bug" studio.

I'm not sure what a "bug" studio is, but it sounds kind of cool.

GJ

The drummer may be right, in this case. I'd go with stereo drums, and either go to a single bass track, as the others have mentioned, or, lose the ear-candy track and use judicious track management to squeeze in your percussion-toy over-dubs. My preference would be to use the amp track rather than t...

I would try miking with the stereo pair as an overhead room mic as high as you can realistically get it/them. Then mike each section, bearing in mind that the trumpets will continue to try and own the room. If you have any way to baffle-off section microphones from the others (or just used cardioid ...

And it seems like only yesterday that it was National Frozen Food Month.

GJ