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is your mx 5050?

i guess i could have put it in hookups, but does anybody read that? anyway, scratch the request, it's the tape, not the deck.

i've got this one tape that my machine doesn't like, it won't play it at normal speed. anybody have one of these decks i could try this tape out on? i'll even clean your deck afterwards.

thanks,
alex

if you find a resource for these, i'd like to hear about it. admittedly i've done little looking beyond a stray ebay search here and there.

bit i *can* sucessfully record from the analog ins.

i can see input on the mia console at the digital ins but there is no sound and cool edit doesn't see anything.

studio space in NE PDX that we're renting w/ or w/o engineer. 1/2" 8 otari, DA-78, a couple good pres, a space echo, and some good mics. big room with high-ish ceilings we've been getting a lot of compliments on. bring your PT, your tape machine or even just your four track cassette then track drums...

joel hamilton wrote: The ashly comps I sold because right where I liked what they did, they made too much noise.

totes.

yeah, i've never tried the TYs. here's to hopin it likes em.

i wish i could just find one that was consistently acceptable...

dammit! i buy a new pack of the memorexes and the damn thing doesn't want to know them! can two batches of cdr runs be that different?!

eeldip wrote:"juiced" would be my term.

totes. good for punk OH.

teisco 71r

awesome, thanks folks. for the longest time, i was under the impression that when it was in the red, that it was clipping and i coulda SWORN that i heard dist. when i would do that, but i just tried the digital ins with "normal" leveled material and they were well up in the -3 range. shoulda tried a...

stay out of the discos.

you know, the reeeeally old one, circa '94? i'm wondering what levels you hit it with through the analog ins. also, if you're still using it, what CDRs do you use?

thanks,
alex