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haha..... like i said, i dont care about reverb pedals, but the compression! ugh. people don't realize that you don't want to compress your vocal before the monitor send (in most small-mid sized clubs with no dedicated monitor guy). it's not about the FOH dude keeping control of the compression, it'...

PLEASE please, please, please......PLEASE! Do not put your vocals through a compressor pedal from the stage. As a live sound guy... Please, don't. It's a horrible, horrible idea. I dont care what kind of reverb, delay, looper, flange, whatever time based effect you want to put on your voice, we'll m...

what does Morality have to do with recording? don't work on white power audiobooks.. everything else is probably fair game.

anything sounds stupid when taken out of context...

you will have 31 band graphics for each output, yes?

hey folks, the band I drum in has released a debut 5 song EP available for streaming or purchase through Bandcamp, and iTunes. the band is producer Jeff Zeigler's project, and he recorded and mixed it all at his Uniform Studios here in Philly. RIYL My Bloody Valentine, Broadcast, Stereolab, Swirlies...

they took a lot of inspiration from the BBC Radiophonic Workshop and the band United States of America. definitely hugely experimental, but their records always fused it into a tight pop structure, at first almost baroque and then more and more minimalist as time went on.

i feel like it's not my place to post this, but i don't see a thread yet and this woman needs to be remembered, especially among TOMBers. Broadcast was one of the best bands of the past decade, and my personal favorite. their production and writing was always of the highest quality, and trish's voic...

oh, nice. i'm mixing yall tomorrow night, now i'm prepared.

matt

Hi,

have you or your wife run a music label before?

Night Court

for me, in that situation, i'd have a clean/compressed track and a reamped track, and send each of them (or one or the other, or whatever works best..) to a delay set on an aux send, not as an insert. when reamping, use your output fader to keep the level to the amp low, and you'll be fine. if you w...

sure, you're going to want to compress and/or limit it, and you can do so pretty aggressively, but for real "dirt" run a duplicate through a guitar amp and mix it in.

i bought and sold used vinyl for a while... if i didn't want to sell them myself, i would take a grand for 4 milk crates in a heartbeat.

you can listen in headphones as you move the mics around and the drummer plays. in some situations, you might actually want to listen for the MOST cancellation between the two sources, and then flip the polarity on one channel at the board.

What's that song, "my maserati goes 185?" That one.