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Bump. C'mon, Nick-Cave/Elliot-Smith-wannabes; now's your chance.

Gated. Reverb. RULES. I very much want to see it come back. Fuck "natural" drums; give me CANNONS.

Ah-ah-ah-ah-ah-ah-AH-ah-ah, indeed.

vvv wrote:I like the Consonant stuff, also.

And his bass on the Shellac recordings.

"Bass" being a figure of speech, right? Of the little I've heard, the first and last thing I noticed was a dearth of low end.

Larrivee L-03E - in near-perfect shape (only one small dent in top), spruce/mahogany combo, with an under-saddle transducer pickup. I just got this, but I'm giving it up because I need a smaller guitar to accomodate a shoulder injury. GREAT tone for fingerpicking or pick playing. With original case...

brianroth wrote:...Of course, there are a number of *user* features that make various models harder/easier to use in session work.

I like the fact that simple plumbing fixtures can be used as motor shaft spacers...

I have this Ampeg 1x15 cabinet. About three years ago it just started farting at me. Better on some notes, worse on others (whatever was close to the resonant peak of the cab). I wrapped cables between handles, shimmed the speaker grill, everything, but nothing helped. Finally I took off the grill a...

What he said.

If you get it, and it is an AG-440, holler at me. Mine's the same machine. B series, if memory serves.

Huge track width goodness.

The actual cost of that machine will end up being about $1500. Manual, parts, MRL...

That said, it will sound amazing when you get it up and running. Mine does. Records all but mix themselves.

This thread is awesome.

I had three windshield wipers all shit the bed at once. Replaced them last night under freezing drizzle at 11pm, by the light of my garage ten feet away.

Piccolo snare toss for distance. Proceed from there.

Seriously: fuck a piccolo. Replace that with something at least five inches deep and you could probably get away with one mic, drummer depending.

Am I asking too much? I thought these prices were pretty reasonable, but feel free to counteroffer.

I need the cash, but I might consider trades too.

I have an iRiver that I've used for practice recordings; I've never had it quit mid-song on me, but I know there's some limitation on continuous recording time mentioned in the manual.

dokushoka wrote:I have the 2882+DSP, and this is an excellent option. Wonderful sounding, buss powered, 8 usuable mic amps, built in DSP, amazing routing, etc.

www.mhlabs.com

Eight mic amps? The rear panel only shows four XLRs.

Bump-bump it up.

The. Kinks.