Message Board

MoreSpaceEcho wrote:i mean it woulda been one thing if it was...yunno...CC Deville. you could've just dragged him out back behind the building and left him. ribot is a national treasure though!

all quite true... thanks for the chuckle...

MoreSpaceEcho wrote:the marc ribot story is crazy...

ya, felt like a schmuck forever about that... never dropped a mic or come close to killing anyone else. Erased one or two things stupidly, but perhaps that is a different thread...

MoreSpaceEcho wrote: raven riley looks alot better in that pic w/JR than she does in the pic on her wiki page, imo.

true.

I was once anchoring a gobo, moving blanket fabrication over a cracked open iso booth door once with a heavy cast iron weight about half the size of a cinder block. Marc Ribot then tried to open the door to squeeze in, pulling the iron anchor off the booth and into his skull. He hit the floor, bleed...

<<<<<<<<-------------- Raven Riley! Ummm...not that I know who that is...but ummmm...WHAT? The Wikipedia is a repository of all useful and useless knowledge. Oh I absolutely know who that is. I was just playing coy. I don't even know if that is the right word. http://a690.ac-images.myspacecdn.com/i...

mjau wrote:I worked the live board one night for CHRIS GARGES. That's right folks, THE Chris Garges.

Wow! Did he ask for weird shit in his monitor?

I don't feel right going into the music stuff. Anyone who has worked in NY, LA, etc prob has a similar list, but let me throw out...

Diane Lane

A patch bay is preferred, but if that's not practical, plug each cable into it's own pre and label the snake inputs (or individual cables) in the studio by preamp. I do a combo in my workspace... right... but i am talking about taking the cabling from the studio to the control room in the walls... ...

A patch bay is preferred, but if that's not practical, plug each cable into it's own pre and label the snake inputs (or individual cables) in the studio by preamp. I do a combo in my workspace...

I don't imagine they'd be all that great on anything at a distance. I'd recommend having at least one though. They do record nicely on some voices, and if you are using monitors instead of headphones, they'll reject OK off the rear and sound more hi-fi than a 58...

In the AM took a dozen cub scouts to the county senior home for caroling. Dashed home and setup a modest basic tracking setup for a band rehearsal, preparing for a round of basics to be done after the holidays... wanted to try some mic and placement combos before doing the real thing, plus we needed...

I just called the US AKG a couple of weeks ago about getting my D12E looked at. I was told that there are no capsules left anywhere.... please post if you find out differently!

Ahhhh... good old Portland in winter. I had a close friend lose every tooth in his mouth slipping on ice in the Old Port. It's too late now, but be careful!!!!

I forgot to mention Louis Phillipe and Reindeer Records. Louis has been working for years bringing battle of the band events and helping high school age musicians get exposure to what realistic music careers involve. He also helps the better bands of that age find ways to record.