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just curious, are we talking about CRT's or LCD's here?

I'm imagining something with a handheld wireless and a Sit 'n Spin here.....

"Quick, print it before I barf"

Or one could duct tape an SM57 to a crap mic cable and swing it around ones head?

Neither of these would be fast enough to sound like a rotovibe or leslie....

Don't have any experience with the 319, Have not found a use for a C1000 yet (YMMV, but IME they have a certain omnipresent suckiness that turns me off), On average, the AT3035 has overacheived for me (strummy pop-coustic, mono overhead in a pinch, gtr cab, non-featured vocals....again, YMMV). As a ...

superpenguin79 wrote:Thanks for the welcome all. Just out of curiousity, I am assuming that there are a lot more purists that hang out on the Tape Op boards than folks from the digital realm eh?

what about digital purists?

having a specific problem, or just fishing?

FWIW mine came up without any hardware hassles.

bombastique wrote:

loosegravel wrote:oh man, my ex started a band. If it rules I'm gonna have to start stabbin' people.

Why do people hate their ex's so much?

I've never understood that - unless they did something really horrible....

many exes are exes precisely because they did something really horrible...

The nicer mics and pres gave me better sounds much faster, and they were a blast to use, but they were still mics. They do the same thing my mics do - record sounds. They might do a better job, but whatever. Same deal. Sometimes faster is the key. If a nicer mic can save an artist a few takes here ...

Basically my aesthetic is that dynamic is cool. Lack of dynamic is tiring. I'd rather tread across a bajillion dynamic trite-isms than suffer a single song of non-dynamic. Sucks for me, cuz the non-dynamic aesthetic has been "in" since the early nineties. The pendulum's gotta swing. I remember one ...

I had a celestion go bad in a marshall combo pretty soon after an intense bass-thru-guitar amp recording. Coincidence?

my favorite fender is the "evil" twin 1970's silverface. i have been giging with one for the past seven years, and love it. it is hella loud, but capable of some nice tones. i use it to compete with two dudes cranking a green amp, and a full stack ampeg svt. works for me... Dude, they let you say h...

Silvertone?

http://www.rru.com/~meo/Guitar/Amps/Silvertone1263/

Any deal that I've ever seen/heard of has producer royalties from record one. And that includes several all-in bundled deals where the producer owned the studio/engineered or partnered with a studio.

Wild, I haven't used mine in ages. Forgot I had them.....

The last time I had great success was with Bass multed to Sansamp and Countryman into 2 channels, mixed to one track. Sansamp sounded pretty neat-o, but I needed to have the uncolored DI sound to embiggen the sound the right way....

Hi- Clearing out stuff I'm not using right now..... I have pics of everything upon request. Soundworkshop 1280 with meter bridge and the 12-ch expander. The main unit has 8 of the fancy eq's. Everything works, in decent condition. Best offer on this one, I don't honestly know what it's worth. 2x OS...

Ditto on UXB's comment. Didn't want to be the first to break the bad news.

Not to pile on the guy or anything, I'm sure there are people here who have had good experiences.....YMMV