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Some ehlp on the digi board, but nothing has worked yet. The only thing that is a for sure thing is doing it one file at a time. For that many files it would take FOREVER. I did hit the ignore button and that doesn't work, since it doesn't load ANY files..

thanks for the response, but it's actually ALL of the files. There isn't anything in the session now.

Posted this on the digi board, but thought i would try here as well.... I just received a drive in the mail for a mix session I'm about to start. When I open up the session, it's telling me I have over 2000 audio files missing. When I try to have pro tools automatically find them, it takes forever a...

start here.


http://www.westone.com

You can find a dealer in your area from there.



One of the best investments you could make.

I second that. Would love to hear some in depth recording info on these guys...

There was a small write up in Remix mag a while back that covered some cool things but I think TO would do a much better job.

I have a pair of NS-10's that I use with a sub and love them. I think they either a love or hate monitor...

Has anyone done a comparison on these yet? I have the Waves ones which are amazing. Do the Duende ones sound the same or better/worse?

I like the cd. Mark Ronson seems to be a good producer.

I have a boombox that I usually like to test mixes on right before I print and one of the speakers seems to be blown... Anybody know where I can take it to? I tried Speaker City in Burbank, but they don't anything that small... It's a Sony boombox and the speaker is around 3" Any help would be appre...

I have them and love them.

I run mine with a Tannoy TS12 (run about 10 o'clock on volume)

Works for me.

Moongels work great. Also, I had good luck with cutting a small triangle size piece of an old snare head and taping the larger end to the rim of the drum. When you hit the drum, the piece flies up and back down to muffle it. Try cutting different sizes for different degrees of muffle-age...

I have a mig60. They are nice for the money. I use it but it's not my main amp for recording. I also have 2 jcm800's and those get used more often.. If you can't afford a jcm800 the mig60 is the next best thing for that sound.

Unless you have another unit for eq, I would recommend getting something else for vocals. The dual 72 sounds good on bass and room mics.. A little too flat for vocal in my opinion... I used to have a dual 72 but sold it for a 2-610 since I mainly used the dual 72 on overheads and needed something wi...

I've done a lot of recording at 44.1 and 48k and it's never been a problem. The only reason I record at 88.2k (my preference) is because I "can"...

I'm also running HD3 and considering getting a Big Ben or some sort of master clock. Is it worth the money to upgrade to an external clock? A big difference in sound?