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Get a used pair of B&W matrix 805s. Should be $500 to 600. They'll wipe the floor with just about everything in their price range. Another alternative is the B&W 602. Sound is unhyped and imaging is excellent on both speakers. www.audiogon.com is your friend i actually think the 602s sound better t...

Neil Young, "Le Noise"

Gram Parsons, "GP"/"Grievous Angel"

ctmsound wrote:absolutely ridiculous that Avid is charging $3500 for a native card and Apogee only charges $1K for theirs. Insane.

Apogee's native card comes with PT HD software bundled in free? Wow!

"Bandwagonesque", Teenage Fanclub (1991). If you love Big Star do yourself a favour and check this record out...

At last!!!!

Prices of C37As just took another hike...

From Elvis in Memphis!

The Studio One Story

Spiritualized, The Complete Works Vol.2

If you like the faster clearer, harder clipping sound I expect the V series stuff to have (lots of negative feedback) then you probably would like Collins 356A's, Altec 459A's, or Langevin 5116 or 5116-B's the best. None of those will show significant distortion, and exhibit less of the soft upper ...

Lookin for a 70s rhythm guitar type of wah sound... any ideas? Not really a guitar player, sorry for the dumb question...

- adds an lovely analog color, but is totally transparent and clear AF Allen, This statement, in terms of my understanding of audio definitions, is a contradiction. Especially using the words "transparent" and "color" together, meaning that both can coexist simultaneously. if you wish, please descr...

Deja vu.

Search for the Swiss Army Knife Mic thread, tons of answers there.

Because you're already at line level and don't have to deal with the impedance mismatch of plugging into another mic preamp. Good point. But, if the 2nd preamp in the chain has a line-level switch, or the like, things should interface properly, right? Yep, but then you're using a line amp, not a mi...

Because you're already at line level and don't have to deal with the impedance mismatch of plugging into another mic preamp.

Leave cleaning up the subsonic stuff to the mastering engineer? "Boomy" bass for me usually means problems in the 90-160Hz region, rather than around 50Hz and below.