Search found 3189 matches

by soundguy
Mon May 15, 2006 9:00 pm
Forum: Creative Recording
Topic: Compressor guilt
Replies: 81
Views: 18575

most people couldnt do that because they never learned how to make a record sound good. They just plug in compressors, everything gets louder and thats the way it goes. Most people who are so self convinced that compression makes everything sound bigger would likely be horrified at how much larger t...
by soundguy
Sun May 14, 2006 3:03 pm
Forum: Creative Recording
Topic: Unwanted Bass Fuzz
Replies: 14
Views: 4570

active basses generally have a much higher output level than passive basses do. While unlikely, it could very well be that the output of your bass is clipping the input to whatever you are plugging it into. If the passive bass sounds ok in the same preamp, I would try to match the output level betwe...
by soundguy
Sat May 13, 2006 4:45 pm
Forum: Creative Recording
Topic: tell me why (compressors)
Replies: 30
Views: 8288

FZ probably would have gotten to the crux of the crucible however I'll concede the insight you can pick up with a pair of zircon encrusted tweezers while riding along the border line is not to be underestimated.

dave
by soundguy
Sat May 13, 2006 1:23 pm
Forum: Creative Recording
Topic: tell me why (compressors)
Replies: 30
Views: 8288

if you want to expand on that, a bit, that would be great. sure, no prob. you originally asked about creating a bigger room sound and increased sense of reverb by "crushing" overheads during heavy limiting. IMO, explicitly doing this is about the most cliche thing you can do on a rock record these ...
by soundguy
Thu May 11, 2006 9:30 pm
Forum: Creative Recording
Topic: tell me why (compressors)
Replies: 30
Views: 8288

drew, forget what you know and, for your example, think of a compressor like this: plug room mic into compressor. compressor cuts off the top 10dB of your room track and then serves as a volume control for everything under that. Uncompressed, your volume control starts to effect the loudest part of ...
by soundguy
Tue May 09, 2006 1:26 pm
Forum: Creative Recording
Topic: area rugs under drums
Replies: 6
Views: 1985

drums are an acoustic instrument which vibrate in an acoustic space. if you think of your mic setup as something that captures the drums vibrating in an acoustic environment rather than say, recording the kit in a vaccum, you'll probably be able to come to some conclusion about why people put things...
by soundguy
Mon May 08, 2006 2:40 pm
Forum: Creative Recording
Topic: Vocals with a Small Diaphragm Condensor
Replies: 14
Views: 4624

move the mic around and turn the knobs until it sounds good?

maybe Im missing something after all these years.

dave
by soundguy
Mon May 08, 2006 12:02 pm
Forum: Creative Recording
Topic: Mic-level/line-level question
Replies: 9
Views: 2582

plug it into the hole which makes it sound the best. how hard is that to figure out? Unless you know specifically how the circuit is designed there is absolutely no correct answer to the question in this thread. None. If you know the type of console someone can look at a schematic and tell you whats...
by soundguy
Thu May 04, 2006 8:24 pm
Forum: Creative Recording
Topic: Interesting OH sound
Replies: 9
Views: 2670

Re: Interesting OH sound

bias is not hard to reproduce.

dave
by soundguy
Thu May 04, 2006 8:20 pm
Forum: Creative Recording
Topic: Really dumb M/S technique question....
Replies: 26
Views: 7165

well, if you want to geek out about MS thats fine but you should approach it for what it is, which few people recording music ever do. Dont look at strict MS as a stereo technique. Its a mono technique that works in stereo. The primary reason why it exists is for playback on mono systems without any...
by soundguy
Thu May 04, 2006 11:39 am
Forum: Creative Recording
Topic: Really dumb M/S technique question....
Replies: 26
Views: 7165

If you set up the three cardioids in a "ms" configuration and compare that to a cardioid and fig 8 in a ms configuration you will see in blinding detail the difference in subtelty. This of course requires you to actually do something which apparently is impossible under the paralyzing grip of the in...
by soundguy
Fri Apr 28, 2006 2:42 pm
Forum: Creative Recording
Topic: bob katz and my monitoring levels
Replies: 30
Views: 9466

man, that book... just mix at the fucking level that provides you with the best mix, period. do you think high voltage was mixed at 83 dB? Sometimes you just need to rock to get the right emotional content in your mix. Other times there is material which you really want to mix at a low level. Is the...
by soundguy
Tue Apr 18, 2006 10:25 pm
Forum: Creative Recording
Topic: I want to rent out my equipment...But...
Replies: 11
Views: 5231

unless you are planning on starting a rental business, Id stay away from this. have you ever rented a car? have you ever rented gear? Have you *ever* treated it well? Ive always looked at the whole point of renting a car as trying to break it... what do you do when you get a mic back that has been i...
by soundguy
Tue Apr 18, 2006 9:51 am
Forum: Creative Recording
Topic: Mix a home project through an SSL SL6000E, is it worth it?
Replies: 34
Views: 9058

you'll usually see engineers jumping through hoops with outboard gear and every trick in the book to minimize the signal path. that pretty much sums up the reality with all this crap. If your mix isnt good its because the mix engineer is incompetent not becuause the gear is whatever it is. A good e...
by soundguy
Mon Apr 17, 2006 9:01 pm
Forum: Creative Recording
Topic: canal 'phones + ear protectors
Replies: 5
Views: 2358

go to a shooting supply place or maybe online like midway.com, peltors and leight both make ultra comfortable and very effective ear muffs for protection. The outer limits of expensive would be like $30. The leights have an adjustable headband the peltors dont. Forget the ratings on them because noi...