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RE-11. I want to use it on everything but tell me what's YOUR favorite use for it?

fixed the sample....

I'm trying to get a nice clean attack on my kick drum and it's sounding more like a flam. I've double checked and it's not a technique issue. The pedal in not bouncing on the head. Here's a clip to demonstrate: https://www.dropbox.com/s/1ww3u9jn6xac56y/kick%20sample.mp3?dl=0 it's a nice George Way 2...

Purple TAV is nice - you will enjoy it

I don't LP the overheads exactly but I have the waves KRAMER TAPE on my drum buss template and will turn it on a 7.5 IPS (which rolls off a fair bit of top end crispiness) when I have tracks that feel a bit too shrill/bright.

Just curious if any of you charge different rates for album prep work. It seems around here that it's somewhat of a practice to do cheaper rate for this time as you're not really recording yet. And if much writing happens on those days then there would be some consideration of a percentage of the so...

it's an interesting thread to think about. It sounds like the poster had a very different experience than me and possibly lots of other folks on this board who do audio production for a living. It sounds like he went the OG route of working his way up through the ranks of a bigger studio in a big ci...

been enjoying this and finding a lot of it super boring as well - they are just a bunch of goof balls most of the time... but it is cool to see how the songs evolve through the rehearsals...

engineer sure likes the Glyn John's Overhead set up eh?

plugins! ecoplate .. a few fuse ones as well

good snare sound on this too...

https://www.youtube.com/watch?v=g1gdA6EhMjw

I really like the band but would have considered sampled drums kinda against their hippie/jammy aesthetic, and including in context of the "at home" video. The drums on their last albums are either insanely processed, edited and / or sample enhanced - they are tight and consistent to a crazy level....

i don't think so

i completely get what you guys are saying about track counts and arrangements - but i am actually addressing something different. It's about how I can record a single guitar or voice with a high end tube mic and chander tg2 preamp through a fancy tube compressor and it will sound good - but against ...

lots of good thoughts and glad others are finding the series entertaining. It is really cool to hear tracks isolated and to deconstruct such well known songs a bit. The thing I was trying to articulate in my initial post though, is even more about the sonic texture/tonality of the isolated tracks as...

annd WHAT ABOUT THOSE BASSLINES! (it's total love fest for Paul) but i forgot how amazing so many of those lines are. Just full of great movement and energy - aside from the great sort of melodic leads he plays as well. Super non-typical choices and really memorable.