questions for Jeff Tweedy interview?
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- steve albini likes it
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questions for Jeff Tweedy interview?
So I met with TJ Doherty @ Sear Sound for the Tape Op interview this past Friday (see the thread here: http://messageboard.tapeop.com/viewtopic.php?t=53443), and came away with some great stuff (and as a bonus, I got to listen to some of Walter Sear's philosophies, too!). I'm actually going to be interviewing Jeff Tweedy for a sidebar to the TJ interview (not sure yet if Larry will decide to run it), so I wonder what sort of questions you all might have for him? Try to keep them at least relative to TJ Doherty, Sky Blue Sky, or perhaps Sear Sound.
Alex C. McKenzie
- losthighway
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Most singers that have recorded a number of albums have a favorite mic for their voice. Do you have a 'go to' mic for your vocals, and if so how did you arrive at that choice?
Working with TJ how much does the line between producer and engineer blur? Is he strictly an engineer, or does he take on more subjective and musical aspects of the recording process?
Will you be working with him for the next album?
How did the Sky Blue Sky process inform some desicions you might make during the next record?
Working with TJ how much does the line between producer and engineer blur? Is he strictly an engineer, or does he take on more subjective and musical aspects of the recording process?
Will you be working with him for the next album?
How did the Sky Blue Sky process inform some desicions you might make during the next record?
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I know for a very long time Jeff used the SM7 for a lot of his vox. I don't know what his signal chain has been on the past two records.losthighway wrote:Most singers that have recorded a number of albums have a favorite mic for their voice. Do you have a 'go to' mic for your vocals, and if so how did you arrive at that choice?
Still a good question for the interview though.
And how about this: Has changing band members so frequently been a decision based on a looking for a sound he hears in his head and wants players he thinks will help him achieve that sound, have the line-up changes been due to attrition and personality,or any combination thereof? (I think I know the answer. Or at least I know what my answer would be. Curious to know what he says.)
New music: www.sadironmusic.com
Studio site: www.sadironstudio.com
Novel website: www.sadironpress.com
Studio site: www.sadironstudio.com
Novel website: www.sadironpress.com
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How did you typically lay down the basic tracks for Born Again in the U.S.A.? Specifically something like Apostolic - there are just the 3 of you, but much of this complex interlocking stuff does not sound like overdubbed arrangements.
This is perhaps the driest, warmest album I've ever heard. The closeness/presence is so intense, yet its not a loud record. The guitars especially. What is the secret?
Do you think you will take to producing records for other bands? Is that a hat you want to wear?
I want to know if On The Beach is your favorite Neil Young album.
This is perhaps the driest, warmest album I've ever heard. The closeness/presence is so intense, yet its not a loud record. The guitars especially. What is the secret?
Do you think you will take to producing records for other bands? Is that a hat you want to wear?
I want to know if On The Beach is your favorite Neil Young album.
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Uh, the Sear interview ran ages ago and was a different deal. TJ Doherty will run soon. The Tweedy interview never happened.
Larry Crane, Editor/Founder Tape Op Magazine
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www.larry-crane.com
please visit www.tapeop.com for contact information
(do not send private messages via this board!)
www.larry-crane.com
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Tweedy, that bastard. Talk to us, man. Or don't. Impossible Germany indeed.
New music: www.sadironmusic.com
Studio site: www.sadironstudio.com
Novel website: www.sadironpress.com
Studio site: www.sadironstudio.com
Novel website: www.sadironpress.com
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My questions for Jeff
(1)what do you do to stimulate creativity in your song-writing? (any tips that help with writer's block for you specifically)
(2)how are lyrics done in relation to a given song? (written first or last)
(3)is a melody generally the first thing that is made or a chord structure?
(4)how did you go about selecting gear for the Loft. Esp. Mics and Preamps.
(5)what qualities in a guitar do you look for in terms of recording a song and also writing a song.
I know much of this is touched in the Wilco Book but not in great detail. If Jeff is open to starting a thread here to answer directly that would be awesome. I have not followed much of the viachicago discussions since it was closed down- perhaps this has already been covered already online someplace.
(1)what do you do to stimulate creativity in your song-writing? (any tips that help with writer's block for you specifically)
(2)how are lyrics done in relation to a given song? (written first or last)
(3)is a melody generally the first thing that is made or a chord structure?
(4)how did you go about selecting gear for the Loft. Esp. Mics and Preamps.
(5)what qualities in a guitar do you look for in terms of recording a song and also writing a song.
I know much of this is touched in the Wilco Book but not in great detail. If Jeff is open to starting a thread here to answer directly that would be awesome. I have not followed much of the viachicago discussions since it was closed down- perhaps this has already been covered already online someplace.
- losthighway
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The viachicago forum is alive and well. There has been a fair amount of discussion with Mr. Tweedy about his feelings on different guitars and his somewhat extensive collection. I can't recall ever reading (I read a lot of interviews as a fan) anything he has said concerning more tech type studio issues except comparing the Pro Tools process to the Tape process, or his ideas about a band recording live in the same room without headphones. He strikes me as a guy that is way more interested in being a musician and likes to work with other people that are musical, but can take care of the tech-dork stuff as well.
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