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MD
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Post by MD » Tue Jan 03, 2006 2:04 pm

Evergreen wrote:...girls and fucked 'em at school
All I know is that
There were rumours he was into field hockey players
There were rumours
-So he applied basically
-He was gone the next day
-And went off with the team
-It's like - he was go-they just like
It was so hush hush
They were so... quiet about it
And then the next thing you know...
Yeah, I thought of that one immediately.

I have a Bob Will CD and "Roly Poly" starts with the aftermath from a previous take where somebody screwed up. Everybody is laughing and they sound like cool fun guys having fun making a record. Pretty cool considering everyone was recording at once, and one person fucking up meant everyone had to do over.

-MD
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jeddypoo
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Post by jeddypoo » Tue Jan 03, 2006 3:17 pm

Stephen B. wrote:Thelonius Monk interrupts Milt Jackson's intro to ask when Miles wants him to come in. They reportedly had some conflict because Miles didn't want Monk to comp behind his solo. He got his wish on most of tunes on that record.

The Man I Love
Miles Davis is the Eric Clapton of Jazz. Sort of. I would have loved to see Monk kick his ass.
I find adherence to fantasy troubling and unreasonable.
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curtiswyant
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Post by curtiswyant » Tue Jan 03, 2006 3:29 pm

Dubba dubba dubba cha. Dubba dubba dubba cha :)
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Stephen B.
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Re: d

Post by Stephen B. » Wed Jan 04, 2006 6:23 am

jeddypoo wrote:Miles Davis is the Eric Clapton of Jazz. Sort of. I would have loved to see Monk kick his ass.
Well, if by that you mean that he was at the forefront of the invention of a new genre (sub-genre?) about four times in his career (cool, hard bop, modal, fusion), then yeah, I guess he would be about the exact opposite of Eric Clapton. Sure he had a lot of help, but surrounding yourself with that kind of talent is an art in itself. Regarding Monk kicking his ass, Miles had this to say: "If I had ever said anything about punching Monk out in front of his face--and I never did--then somebody should have just come and got me and taken me to the madhouse, because Monk could have just picked my little ass up and thrown me through a wall."
"Badness is only spoiled goodness."

C.S. Lewis
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junkstar
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Post by junkstar » Thu Jan 05, 2006 8:39 am

I dig the non-controversial studio chatter tapes of Brian Wilson found on the hundred or so Sea of Tunes CD bootlegs. Some full CD's follow the evolution of one song being created take by take with chatter in-between. The Pet Sounds and Smile discs are real standouts. Worth finding for trade if you can.
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tonewoods
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Post by tonewoods » Thu Jan 05, 2006 10:23 am

Man, there's a plethora of Phil Spector Outtakes
from Gold Star Studios posted over at Dimeadozen....

I'm just listening to Disc 1 as we speak, and the studio chatter and production process are priceless...

Here tis:



Phil Spector
Studio Outtakes and Sessions
Gold Star Studios (1962-1966)

Disc 1 (73:37):



01. My One and Only Baby takes 14..16 (a.k.a. Be My Baby)

02. My One and Only Baby takes 18..20

03. My One and Only Baby takes 21..25 (w/back up vocals)

04. My One and Only Baby takes 25 (repeat from above)

05. My One and Only Baby takes 26..34 (w/lead vocal)

06. My One and Only Baby Unknown take (w/lead vocal + back up vocals)

07. Baby I Love You takes 1..3

08. Baby I Love You takes 4..7

09. Baby I Love You takes 8..12

10. Baby I Love You takes 11, 12 (w/vocals)

11. Baby I Love You (isolated vocals)

12. Rudolph, the Red Nose Reindeer takes 16, 17

13. Rudolph, the Red Nose Reindeer takes 1, 2

14. Rudolph take 3

15. Rudolph takes 4..9

16. Rudolph takes 10..15


There's 5 CDs of this stuff!
"You see, the whole thing about recording is the attempt at verisimilitude--not truth, but the appearance of truth."
Jerry Wexler
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tonewoods
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Post by tonewoods » Thu Jan 05, 2006 3:14 pm

Here's a bit of that Phil Spector stuff....

Great fun listening to this stuff. You can really see where Brian Wilson's influences came from...
"You see, the whole thing about recording is the attempt at verisimilitude--not truth, but the appearance of truth."
Jerry Wexler
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billyritty
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Post by billyritty » Mon May 29, 2006 1:57 pm

Hi Guys i just joined this fine board and i happend to stumble on this GREAT thread.Could anyone please upload the "please please me" file along with the Phil Spector ones?By the way.........does anyone know how to get hold of this cd set?Sounds interesting
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jckinnick
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Post by jckinnick » Mon May 29, 2006 3:23 pm

Yeah can somebody upload some of these again

Whats so bad about the Ryan and David one
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Rigsby
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Post by Rigsby » Mon May 29, 2006 4:44 pm

Evergreen wrote:...girls and fucked 'em at school
All I know is that
There were rumours he was into field hockey players
There were rumours
-So he applied basically
-He was gone the next day
-And went off with the team
-It's like - he was go-they just like
It was so hush hush
They were so... quiet about it
And then the next thing you know...
I love that record.
The large print giveth, and the small print taketh away.

rigsbysmith.com
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jckinnick
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Post by jckinnick » Mon May 29, 2006 4:46 pm

whtat is that from
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cgarges
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Post by cgarges » Mon May 29, 2006 6:13 pm

Pixies. Surfer Rosa.

Chris Garges
Charlotte, NC
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KilledByAlbany
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Post by KilledByAlbany » Sun Jun 04, 2006 2:23 pm

I used to have an mp3 of Barry White repeatedly flubbing a radio spot, which got pretty hysterical by the end...

"Join me on Frida-....this asshole fucked these words up, man....He's got words here he don't even need..."
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Cojonesonasteek
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Post by Cojonesonasteek » Mon Jun 05, 2006 1:22 pm

If only I could find my copy of a casette taped off the board at the Record Plant in the late Eighties with the Everly Brothers dukin' it out during a session. LMFAO when I heard it.
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jckinnick
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Post by jckinnick » Mon Jun 05, 2006 3:47 pm

The new Flaming Lips record has a few studio chatters on it

Does hooting and hollering count, Dr. Dogs record has a quite a few of those on it
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