Please explain my wacky waveform (mic trouble)
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Please explain my wacky waveform (mic trouble)
I've been basement recording for years now, but have little beyond common knowledge when it comes to the science of all this.
I recently purchased two MCA-SP1's based off praise on this board, and having two extra condensers around never hurt anyone for such a low price. I have only been using them a short while when I noticed the waveform getting clipped in a manor I have never seen.
This picture is from a distorted guitar played a consistent volume. After doing some trouble shooting/trial and error, I found that I had a strong "normal" looking waveform right after switching on phantom power, but as time goes along, the top of the waveform slopes downward. This happened time and time again with both MCA SP1's I own.
As far as further trouble shooting, I switched cables, changed mic pres, all to the same effect. Other mics I own all work fine with the pres and cables.
Is there a simple fix? Do I try to return them (not the best option as I've had them for a month or two but just got around to using them)?
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after another few hours playing around, the uneven waveform seems proportional to proximity to the speaker, i.e., the farther I back it away, the more normal it gets...
BUT!
this is what I had thought at first (just overloading and clipping the mic) but that doesn't explain why (as pictured) it starts off OK then gradually becomes asymmetrical. It does not return to form unless I toggle the power on and off. Those first few seconds are magical, then it goes to poo (clippy). I had it 6" from the speaker. I had to back it up to 18" to get it to clear up. I would describe the amp as "moderately" loud.
I'm off to check the relative SPL handling levels of this guy versus others. Other condensers I have (akg 414, studio projects C100, etc) all perform swimingly right up on the grill, amp going full-tilt. Is it the fact that the MCA has more of med/small diaphragm rather than large?)
also...
as expected, when I flip the phase the waveform is chopped on bottom rather than the top.
so....
how do i check the voltage i'm getting from my pres (Presonus Digimax 96k)?
i do get a decent sound out of it when it's backed up to 18" and it's undoubtedly a keeper for $40, but it just killed for the first few seconds up on the grill. still a recommended mic that will find a number of uses. the extra "grit" that comes with the asymmetrical clipping would be pretty cool to tape, but in the digital world, more distortion is the last thing I need.
I was hoping there was a physicist out there who could give me a scientific based answer. I could only guess that maybe the diaphragm can handle the high SPL for a few seconds before the vibrations started becoming too great, with some canceling each other out. If this was the case then it would return to normal after letting the mic "breath" between strums, making the waveform have the slope again and again. Instead, the power must be switched off and back on. boo.
BUT!
this is what I had thought at first (just overloading and clipping the mic) but that doesn't explain why (as pictured) it starts off OK then gradually becomes asymmetrical. It does not return to form unless I toggle the power on and off. Those first few seconds are magical, then it goes to poo (clippy). I had it 6" from the speaker. I had to back it up to 18" to get it to clear up. I would describe the amp as "moderately" loud.
I'm off to check the relative SPL handling levels of this guy versus others. Other condensers I have (akg 414, studio projects C100, etc) all perform swimingly right up on the grill, amp going full-tilt. Is it the fact that the MCA has more of med/small diaphragm rather than large?)
also...
as expected, when I flip the phase the waveform is chopped on bottom rather than the top.
so....
how do i check the voltage i'm getting from my pres (Presonus Digimax 96k)?
i do get a decent sound out of it when it's backed up to 18" and it's undoubtedly a keeper for $40, but it just killed for the first few seconds up on the grill. still a recommended mic that will find a number of uses. the extra "grit" that comes with the asymmetrical clipping would be pretty cool to tape, but in the digital world, more distortion is the last thing I need.
I was hoping there was a physicist out there who could give me a scientific based answer. I could only guess that maybe the diaphragm can handle the high SPL for a few seconds before the vibrations started becoming too great, with some canceling each other out. If this was the case then it would return to normal after letting the mic "breath" between strums, making the waveform have the slope again and again. Instead, the power must be switched off and back on. boo.
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Use a multimeter to measure DC voltage between Pin 1 and Pin 2 on the XLR while the Phantom Power is turned on. Also measure between Pin 1 and Pin 3. The voltage between pin 1 & 2 and pin 1 & 3 should both be in the neighborhood of 48 volts.cashed checks wrote:how do i check the voltage i'm getting from my pres (Presonus Digimax 96k)
Can you give us some close-ups? Maybe a couple of cycles of the normal part at the begining and a couple from later on after it gets wierd? Not sure that will help diagnose, but I for one would be interested to see it.
It almost looks like the diaphram is somehow getting stuck, like it's not able to make it's full positive excursion. Could it be a mechanical problem with the mic? Or some kind of pressure build up? That would be weird, I guess...
It almost looks like the diaphram is somehow getting stuck, like it's not able to make it's full positive excursion. Could it be a mechanical problem with the mic? Or some kind of pressure build up? That would be weird, I guess...
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i found a discussion on the gearslutz forum from a year back about modding a MXL V67. In the thread someone said it would make the mic close to the MCA SP1 in design. Another person commented, "Furthermore, from examining the "Dorsey mod" as it is shown in the magazine article, it is very likely that any mic equipped with this circuit would be prone to distort assymetrically at far lower SPL levels than would be acceptable for a production microphone."
does that mean that even though this mic is said to have a high SPL tolerance it does not?
another post (all are about the V67 mic, though) spoke of "voltage leakage" which would seem a possible culprit as my waveform/sound start out ok, then degrade.
here is the thread on gearslutz.
http://www.gearslutz.com/board/geekslut ... -mods.html
does that mean that even though this mic is said to have a high SPL tolerance it does not?
another post (all are about the V67 mic, though) spoke of "voltage leakage" which would seem a possible culprit as my waveform/sound start out ok, then degrade.
here is the thread on gearslutz.
http://www.gearslutz.com/board/geekslut ... -mods.html
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