Rode NT2 appreciation
Rode NT2 appreciation
Man, I've got a rode NT-2.
I bought it, oh 5 years ago.
It's pretty nice.
If you don't have one, you should.
Anyone else like 'em?
I bought it, oh 5 years ago.
It's pretty nice.
If you don't have one, you should.
Anyone else like 'em?
I love you.
While I never tried, much less owned an NT-2, I've had an NT1-A for a couple of years and it just sounds so good on pretty much anything in my modest studio. I'm now experimenting with more mics, many borrowed from friends and a couple of ribbon Fatheads on the way, yet the NT1A still holds it's own. I also just read a very positive review in SoS on the new Rode M3 (small condenser). Of course, I always prefer TOMB/user reviews to what a tech magazine has to say, but admittedly, I'll take SoS's words a little more seriously. Rode mics just kick ass, period.
I go through periods where this mic or that mic is my "go-to" mic, and a year or so ago, I went through it with the NT-2. I do like it a lot on many things. The only times that I would put it up and not be pleased is certain vocals, when I compare it to other mics. You know.... certain voices like certain mics like certain preamps...
I think it's a really solid mic that might not get as much props when buried in a field of a million inexpensive LDCs.
Others I put in a similar light are older CAD mics like the E-100/E-200 and the Studio Projects C3.
Roger
I think it's a really solid mic that might not get as much props when buried in a field of a million inexpensive LDCs.
Others I put in a similar light are older CAD mics like the E-100/E-200 and the Studio Projects C3.
Roger
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- ghost haunting audio students
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Sneer all you want- Some people complain about the Rode NT series mics as being "too bright", but there are plenty of good uses for these.
Some examples:
* A wonderful room/distance LDC mic
* If you need something to cut through a mix
* If you need extra "ambience" (which is nearly always in theater sound design)
* Actually sounds fantastic when you're recording to a lower fidelity tape (think Portastudio). Haven't tried it on a wider tape format.
Some examples:
* A wonderful room/distance LDC mic
* If you need something to cut through a mix
* If you need extra "ambience" (which is nearly always in theater sound design)
* Actually sounds fantastic when you're recording to a lower fidelity tape (think Portastudio). Haven't tried it on a wider tape format.
Nice, I've had one for a number of years as well. I'd always cringe when I saw the Rode bashing, although I agreed with most of the complaints too hyped, too crisp, too brittle, for most of the rest of the line, I always thought the NT2 struck a nice balance. Agreed on using it as a room/distance mic, always liked it on acoustic as well. It's good to get that off my chest. Carry on.
- lotusstudio
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My first decent condenser mic was the Rode NT1000 and I liked it so much I got the Rode K2 tube mic. I think they are both really good mics for acoustic guitar and vocals - they get used just as much as the U87 (which tends to sound boxy on some singers).
You just got to keep puttin' the good stuff out there
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- joninc
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ditto on the drum room mic. nice.
the nt2 was my first LDC and got used for everything for a while. i thought it was a great vocal mic too. through a Great River preamp ... then i heard it compared to some really high end stuff (brauner, U47) and it sounded grainy and thin. so i bought some nicer vocal mics.
but i still use the NT2 a lot for drum rm, acoustic, mandolin, percussion,
electric guitar sometimes. a good workhorse mic for sure.
the nt2 was my first LDC and got used for everything for a while. i thought it was a great vocal mic too. through a Great River preamp ... then i heard it compared to some really high end stuff (brauner, U47) and it sounded grainy and thin. so i bought some nicer vocal mics.
but i still use the NT2 a lot for drum rm, acoustic, mandolin, percussion,
electric guitar sometimes. a good workhorse mic for sure.
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- zen recordist
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I used the NT2 as the main vocal mic for a couple of records. there is one at Studio G, and I will put it up once in a while when the vocal eems appropriate. I dont like it unless the pop screen thingy is on it, then I like it a bunch. The foam one that comes with it... that looks like a smurf afro. Or "smurfro."
Re: Rode NT2 appreciation
I like mine a lot, but that's 'cuz it's probably my best mike
As others have already noted, it's a pretty good vocal mic.
Also (for me anyway) it sounds pretty tasty as the center overhead in a Glyn Johns setup for drums.
But the best part? The Ommmmni mode - very cool, but kind of scary the first time you engage it with head phones on - suddenly you can hear all those things that are trying to sneak up behind you.
As others have already noted, it's a pretty good vocal mic.
Also (for me anyway) it sounds pretty tasty as the center overhead in a Glyn Johns setup for drums.
But the best part? The Ommmmni mode - very cool, but kind of scary the first time you engage it with head phones on - suddenly you can hear all those things that are trying to sneak up behind you.
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dddddddddddddddruma
yeah, I use it a a mono over head a lot.
It's got a pretty good sound, especially when you compress it right.
I also get a lot of use out of it as a room mic if I want to put one on an organ track. Close-mic your m3 with a 57, then put the NT2 in the room and mix them together to taste.
Instant awesome.
It's got a pretty good sound, especially when you compress it right.
I also get a lot of use out of it as a room mic if I want to put one on an organ track. Close-mic your m3 with a 57, then put the NT2 in the room and mix them together to taste.
Instant awesome.
I love you.
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