Best mixes

Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY

Moderators: drumsound, tomb

Post Reply
User avatar
pumadrum
gettin' sounds
Posts: 109
Joined: Thu Mar 09, 2006 7:13 pm
Location: S. Cali

Best mixes

Post by pumadrum » Mon Jun 15, 2009 3:15 am

I have heard that the best mixes involve just throwing the faders up and adding some verb to the vocal.

If you use this technique... how do you get a high RMS? Thanks.
Curtis Franklin
Feel free to ignore me and use your ears.
curtisfranklin@earthsedgestudio.com
714.401.3871

User avatar
A.David.MacKinnon
ears didn't survive the freeze
Posts: 3836
Joined: Wed May 07, 2003 5:57 am
Location: Hamilton ON, Canada
Contact:

Post by A.David.MacKinnon » Mon Jun 15, 2009 5:33 am

The best mixes involve doing everything and anything to make the best mix. Sometimes that involves very little. Sometimes you have to throw everything you've got at it.

mjau
speech impediment
Posts: 4034
Joined: Mon Sep 29, 2003 7:33 pm
Location: Orlando
Contact:

Post by mjau » Mon Jun 15, 2009 6:08 am

junkshop wrote:The best mixes involve doing everything and anything to make the best mix. Sometimes that involves very little. Sometimes you have to throw everything you've got at it.
Yup. And sometimes the best mixes don't have insane RMS, too.

User avatar
decocco
pushin' record
Posts: 252
Joined: Sat Dec 04, 2004 12:16 pm
Location: Elizabeth, NJ

Post by decocco » Mon Jun 15, 2009 8:28 am

I have heard that the best mixes involve just throwing the faders up and adding some verb to the vocal.
If you are mixing a really awesome, balanced, and dynamic band who were recorded mostly live by an equally awesome engineer, then yes, that will work. The resulting mixes will sound like they're straight out of 1970.
If you use this technique... how do you get a high RMS? Thanks.
You will not achieve a high RMS that maintains clarity without all kinds of juicy compression at multiple stages and fader rides. A high RMS mix is the opposite of the "throw up the faders" mix.

To pull off either approach requires a great deal of skill and experience from the engineers.
-Chris D.

tweeksound
audio school graduate
Posts: 17
Joined: Tue Feb 05, 2008 2:35 pm
Location: Concord NH
Contact:

Post by tweeksound » Mon Jun 15, 2009 10:11 am

I have heard that the best mixes involve just throwing the faders up and adding some verb to the vocal.

If you use this technique... how do you get a high RMS? Thanks.
Before you throw the faders up, you throw EQ, compression, automation, etc... on the tracks.

Or like was mentioned already, you have the best possible musicians, room, mic choice, mic placement, preamps and converters.

Then, yes, maybe a little verb and you're there.

Bob Katz could tell you more. Check out the Chesky collection. One or two mics, some patience and careful positioning. Voila.

BTW, I'll bet a non-engineer, musician told you the above, am I right.
Those silly musicians :0)

User avatar
Ryan Silva
tinnitus
Posts: 1229
Joined: Sat Aug 07, 2004 6:46 pm
Location: San Francisco

Post by Ryan Silva » Mon Jun 15, 2009 1:41 pm

You know, I noticed that as I have improved my front end, and mic placement technique, my mixes involve much less EQing, and subsequent processing. Therefore my mixes are becoming much more of an ?Raise the faders, and mix?.

Is that what you meant?
"Writing good songs is hard. recording is easy. "

MoreSpaceEcho

MoreSpaceEcho
zen recordist
Posts: 6687
Joined: Wed May 07, 2003 11:15 am

Post by MoreSpaceEcho » Mon Jun 15, 2009 2:59 pm

Ryan Silva wrote:I noticed that as I have improved my front end, and mic placement technique, my mixes involve much less EQing, and subsequent processing. Therefore my mixes are becoming much more of an ?Raise the faders, and mix?.
same here.

User avatar
pumadrum
gettin' sounds
Posts: 109
Joined: Thu Mar 09, 2006 7:13 pm
Location: S. Cali

mmk

Post by pumadrum » Mon Jun 15, 2009 3:14 pm

right.

i had a sneaking suspicion that loud masters come from loud mixes.

thanks for the replies.
Curtis Franklin
Feel free to ignore me and use your ears.
curtisfranklin@earthsedgestudio.com
714.401.3871

Post Reply

Who is online

Users browsing this forum: No registered users and 56 guests