The Elephant in The Control Room

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Peter Malick
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The Elephant in The Control Room

Post by Peter Malick » Mon Jul 19, 2010 10:17 am

It feels to me that the rise of home recording has reached a tipping point. I'd like to invite you to read my blog post:

http://bit.ly/aDiX84

Do you agree?
Peter Malick
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chris harris
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Post by chris harris » Mon Jul 19, 2010 10:36 am

Anyone who makes music in 2010 and doesn't have a way to quickly and easily record demos, is a fool.

Anyone who attempts to make recordings of themselves and can't see the value in having an experienced engineer around, at least to consult with, is a fool.

Anyone who thinks that every single artist NEEDS the things that an experienced engineer brings to the table is a fool.

Any professional engineer who treats home-recordists as adversaries, is a fool.

Any artist who spends their recording budget on recording gear, simply because some professional engineer made it look easy, is a fool.

Anyone who doesn't possess a passion for sound, yet still chooses to take on self-recording, is a frustrated fool.

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vvv
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Post by vvv » Mon Jul 19, 2010 11:52 am

subatomic pieces wrote: ... having an experienced engineer around, ....
Does you'se guys count? :twisted:
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MoreSpaceEcho
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Post by MoreSpaceEcho » Mon Jul 19, 2010 12:54 pm

that control room must be really big.

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Gregg Juke
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Re: The Elephant in The Control Room

Post by Gregg Juke » Mon Jul 19, 2010 1:24 pm

Just curious-- When was it that the recording industry "_wasn't corporate?_"

GJ

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You win 1st prize.

Post by norsehorse » Mon Jul 19, 2010 1:53 pm

POST OF THE MONTH :arrow:
subatomic pieces wrote:Anyone who makes music in 2010 and doesn't have a way to quickly and easily record demos, is a fool.

Anyone who attempts to make recordings of themselves and can't see the value in having an experienced engineer around, at least to consult with, is a fool.

Anyone who thinks that every single artist NEEDS the things that an experienced engineer brings to the table is a fool.

Any professional engineer who treats home-recordists as adversaries, is a fool.

Any artist who spends their recording budget on recording gear, simply because some professional engineer made it look easy, is a fool.

Anyone who doesn't possess a passion for sound, yet still chooses to take on self-recording, is a frustrated fool.

Peter Malick
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Post by Peter Malick » Mon Jul 19, 2010 5:45 pm

subatomic pieces wrote:Anyone who makes music in 2010 and doesn't have a way to quickly and easily record demos, is a fool.

Anyone who attempts to make recordings of themselves and can't see the value in having an experienced engineer around, at least to consult with, is a fool.

Anyone who thinks that every single artist NEEDS the things that an experienced engineer brings to the table is a fool.

Any professional engineer who treats home-recordists as adversaries, is a fool.

Any artist who spends their recording budget on recording gear, simply because some professional engineer made it look easy, is a fool.

Anyone who doesn't possess a passion for sound, yet still chooses to take on self-recording, is a frustrated fool.

Heh!
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Post by drumsound » Mon Jul 19, 2010 5:46 pm

Speaking of control rooms, what room is on your blog? Is that a Demedio console?

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Post by Judas Jetski » Mon Jul 19, 2010 6:41 pm

subatomic pieces wrote:Anyone who makes music in 2010 and doesn't have a way to quickly and easily record demos, is a fool.

Anyone who attempts to make recordings of themselves and can't see the value in having an experienced engineer around, at least to consult with, is a fool.

Anyone who thinks that every single artist NEEDS the things that an experienced engineer brings to the table is a fool.

Any professional engineer who treats home-recordists as adversaries, is a fool.

Any artist who spends their recording budget on recording gear, simply because some professional engineer made it look easy, is a fool.

Anyone who doesn't possess a passion for sound, yet still chooses to take on self-recording, is a frustrated fool.
I'm feeling a little left out, here. What do I gotta do to make the list?
New Judas Jetski EP up! andysmash.bandcamp.com

www.andysmash.com

Peter Malick
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Post by Peter Malick » Mon Jul 19, 2010 8:18 pm

drumsound wrote:Speaking of control rooms, what room is on your blog? Is that a Demedio console?
It's a Quad Eight/Electrodyne that had once been at Capitol.

Here's the original link:
http://www.dyz.com/astral/
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Re: You win 1st prize.

Post by cjmnash » Mon Jul 19, 2010 8:24 pm

norsehorse wrote:POST OF THE MONTH :arrow:
subatomic pieces wrote:Anyone who makes music in 2010 and doesn't have a way to quickly and easily record demos, is a fool.

Anyone who attempts to make recordings of themselves and can't see the value in having an experienced engineer around, at least to consult with, is a fool.

Anyone who thinks that every single artist NEEDS the things that an experienced engineer brings to the table is a fool.

Any professional engineer who treats home-recordists as adversaries, is a fool.

Any artist who spends their recording budget on recording gear, simply because some professional engineer made it look easy, is a fool.

Anyone who doesn't possess a passion for sound, yet still chooses to take on self-recording, is a frustrated fool.
+1

-chris
www.welcometo1979.com
Owner: Welcome To 1979 Studio & Mara Machines

dsw
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Post by dsw » Tue Jul 20, 2010 4:01 pm

Can I come out of the corner now?
"Analog smells like thrift stores. Digital smells like tiny hands from far away." - O-it-hz

musicians are fuckers, but even worse are people who like musicians, they're total fuckers.

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